More Arduino + LCD + PHP fun

My work on this ongoing LCD Arduino project has been continuing over the last couple of weeks, I just haven’t had the time to update appropriately.

So, I switched over my plan of attack from Processing to PHP. I figured this made sense for a couple reasons: first, I’m already very well-acquainted with PHP, I’ve written and hacked together a good amount of code in this language before and so I feel like I’ll spend a lot less time just figuring this out and more time actually doing; second, I don’t think I was really going to use Processing for its strengths, and instead, I was going to rely on its string functions, which pale in comparison to PHP.

I’ve made quite a lot of progress over the last week or so — all of which is detailed below. There are still some major problems I need to sort out, but for the most part things are about where I’d hoped them to be at this point.

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Google Street View of Windsor Online

We’ve been waiting for this for a while, but Google Street View’s drive through Windsor is now up online and available.

Google’s tour took place in the midst of our 101 city workers strike, but too early into it to have (and thanks to the note from Steven) caught our Naturalized Area signs. At any rate, I’m looking forward to having the time to go through our city from seven months ago and explore.

It might also be a good way to start brainstorming for our upcoming Sites of Apology / Sites of Hope event!

So, start exploring.

[via Rob’s Twitter & windsoriteDOTca]

Sites of Apology / Sites of Hope

The details: Sunday, February 28, 2010 (1pm) at 362 California Ave, Windsor

As part of the Broken City Lab: Save the City project, and to better understand the city and its rich and failed history, Broken City Lab researchers will host an open community event on Sunday, February 28, 2010 at 1pm to map and invent two distinct community tours—Sites of Apology and Sites of Hope.

Throughout the first part of the event, Broken City Lab will lead community participants in brainstorming the numerous sites deemed to be worthy of apology—these could include failed strip malls, roads without sidewalks, or former auto factories—along with the numerous sites that give community participants hope for the city—these could include an especially great bike trail, sites of architectural significance, or places that can be imagined as being easily improved.

Immediately following the creation of these lists, Broken City Lab will set out to demarcate and officially designate each Site of Apology and Site of Hope. At each site, a short ceremony will be held and community members are welcomed to come along to help recognize each and every site.

A map demarcating each of the designated Sites of Apology and Sites of Hope will be made available online to encourage the ongoing investigation of these sites by community members.

Broken City Lab: Save the City is generously supported by the Ontario Arts Council.

Sometimes Planning Means Drawing

While we’re still moving along on our Save the City project in the background, we’re also continuing to look ahead to other projects and deadlines coming up. Tuesday mornings are always a really good productive time, and this week was no exception.

While we wait for our ribbons and postcards to arrive for the upcoming Sites of Apology / Sites of Hope event, we’re looking into CAFKA and the ANTI 2010 festival, both of which could be a lot of fun and give us a chance to go and play in other cities.

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Eric Boucher’s Micro-Residency Project, Windsor: a Micro-Documentary

As part of Eric Boucher’s ongoing micro-residency, he created a trailer for the documentary (see it above) and is now looking for music (preferably from Windsor and preferably instrumental) to complete the project!

If you have music that you’re willing to pass along under a creative commons license or something to that effect, get in touch with Eric via his Twitter page. Or just let us know and we can pass along the info.

We can’t wait to see how this turns out!!!!!!

Fallen Fruit Collective

Fallen Fruit Collective formed six years ago through a project by artists David Burns, Matias Viegener, and Austin Young for the Journal of Aesthetics and Protest (ps. you should read it).

Using fruit as their lens, Fallen Fruit investigates urban space, ideas of neighborhood and new forms of located citizenship and community. A number of their projects look at the social, political, and ecological issues surrounding local food, public food, and land use, though it all began with the process of mapping local fruit trees in LA.

From their site

“Over time our interests have expanded from mapping public fruit to include Public Fruit Jams in which we invite the citizens to bring homegrown or public fruit and join in communal jam-making; Nocturnal Fruit Forages, nighttime neighborhood fruit tours; Community Fruit Tree Plantings on the margins of private property and in community gardens; Public Fruit Park proposals in Hollywood, Los Feliz and downtown LA; and Neighborhood Infusions, taking the fruit found on one street and infusing it in alcohol to capture the spirit of the place.”

I really enjoy the social side of Fallen Fruit‘s work. This communal jam-making being perhaps the most interesting, as it involves a kind of process that highlights interaction and time. As well, their consideration of the legalities and local community practices seem to be very balanced with the rather “nice” focus on fruit at the centre of their questions — a tactic in which I strongly believe. How much more productive of a conversation can you have about these issues when you’re (somewhat subversively) framing it around fruit?

[via Art 21]

It takes 154,000 breaths to evacuate Boston by kanarinka

kanarinka is a new media artist whose research interests include the politics of digital information, feminist performance art, participatory culture and the emotional landscape of Homeland Insecurity. She is Co-Founder of the non-profit collective iKatun, a founding member of the Institute for Infinitely Small Things, and teaches at RISD’s Digital+Media Graduate Program and the School of the Museum of Fine Arts in Boston.

In Spring 2007, kanarinka ran the entire evacuation route system in Boston and measured its distance in breaths. The project is an attempt to measure our post-9/11 collective fear in the individual breaths that it takes to traverse these new geographies of insecurity.

The $827,500 Boston emergency evacuation system was installed in 2006 to demonstrate the city’s preparedness for evacuating people in snowstorms, hurricanes, infrastructure failures, fires and/or terrorist attacks.

It takes 154,000 breaths to evacuate Boston consists of a series of running performances in public space (2007), a web podcast of breaths (2007), and a gallery installation of the archive of breaths (2008). There’s also an online collection of podcasts, with audio recordings made during each running performance.

The work is being shown as a part of Experimental Geography, an exhibition that explores the distinctions between geographical study and artistic experience of the earth. I picked up the book from this traveling exhibition a while ago and it’s an interesting read. There’s some inspiring work, but as is often the case with these kind of collection books, the introduction is far more enlightening than many of the preceding chapters.

What I like about this project is the physical translation of a kind of bureaucracy along with the gesture of exploration through so much of the city under the restrictions of urgency and evacuation. It makes me want to imagine ways for exploring bureaucracies of Windsor.

New LCDs and Serial Ports and some Max/MSP for good measure

I haven’t posted on this project for a little while, partially because of the preparation for the ongoing Save the City project, and partially because the little time that I’ve had to work on this has only resulted in small increments. So, I figured I would wait until I had some more significant updates to make to post, and here they are.

Basically, I’ve been working on a couple parts of the project. I’ve been updating a Max/MSP/Jitter project that BCL had previously used for our projection performances to try to automate some of the scaling of text depending on what the input is, while also continuing with the Arduino and LCD integration.

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Listen to the City: Discovering the Histories of Windsor through Conversation

Sunday night was the first event of our Save the City project: Listen to the City, and it was incredible!!! We had an amazingly generous crowd of old friends and new faces come out to share their stories of Windsor with us and we recorded close to 8 hours of their hopes, concerns, and personal histories of the city.

We’ll be going through all of this material over the next little while to turn it into an audio documentary that we’ll distribute online, hopefully on some local airwaves, and also through a contribution of the final work to the Windsor Archives. We’re hoping that this documentary will serve as a marker in time that will have captured a very specific kind of conversation happening right now, and maybe happening for the first time. It’s going to be something very special.

We want to thank everyone who came out and participated — this literally could not have been possible without you! There’s a number of photos and some overview of the discussions after the jump of what was our absolute most favourite night of the year so far.

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Talking to Walls: A Conversation About the Public Realm

Thursday night Cristina and I were up in Toronto at Propeller Centre for the Visual Arts, participating in the Christopher Hume curated exhibition, Public Realm.

We did a series of projections with short texts / fill-in-the-blanks that dealt with issues of public and private space, which were generated from the answers to the questionnaires we created, responses on Twitter, and conversations amongst ourselves.

Public Realm is up until January 31st, and there’s documentation of the projections up in the gallery along with a growing collection of our questionnaires with a ton of great answers. If you’re in the neighbourhood, stop by, there’s a lot of great work in the show!!!

After the jump, there’s a photo from all 100 fill-in-the-blanks that we projected.

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