Getting Things to Talk: Arduino + LCDs

I spent the better part of the day on Saturday doing some more basic research into connecting an Arduino and LCD for this ongoing project. For the most part, it’s pretty basic and following the wiring diagrams and tutorials online is fine.

I ran into a problem with getting text on two lines, which I’ll detail below. Next on the to do list is to order a different LCD, maybe a 4×20 display and maybe something even smaller and then do some work on the text processing part of this whole thing.

Overall, it was a good start and I’m anxious for later this week when I’ll have a block of time to continue with the next steps in this early research.

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For Windsor, Realistic Expectations and Imaginative Solutions

Read Tom Lucier’s recent blog post. He spells out nearly everything he does in this city, for free. He draws on examples of other talented people in this city who continue to try to stick it out for who knows what reasons. He makes a compelling case for having to give up some of these things he does as labours of love.

It was upsetting and it was terrifying.

That there remains any talented creative people in this city (and I suppose I’m being slightly narrow in my definition, thinking of artists, musicians, actors, writers) is kind of incredible. As much as I believe in this city, I really don’t believe we are giving enough people enough reasons to stay.

So, I have to suggest some ridiculous and likely impossible ways to get people to stay, because that’s what we do — we look at problems, invent solutions, and then sometimes we even try to act on those solutions.

We need to establish a social innovation fund. This will supply micro-grants (up to $2500) for people who want to do something creative and amazing here in Windsor.

We need to identify and make accessible studio spaces that can be shared, are safe, up to code, and very reasonably priced. This will create a place for people to work out of should we be lucky enough to entice them to stay.

We need to figure out how to convince the huge number of people who graduate and leave every year to stay just a little while longer. This will give us ample opportunity to get those talented people invested enough in this place to want to stay.

We need to figure out how to convince more people to pay more money to retain the talent we have in this city, or we probably need to figure out how to find value in what we already do. This will provide a base level of income to keep people like Tom writing and reporting instead of having to do something like take up a paper route.

We need to put Windsor on the map, the world map, as a place in which to do more than just pass through. This will enable all of the above things to happen, and happen sooner rather than later.

We needed to do this yesterday. Realistically though, it’s already too late.

Phone Calls and Budgets – Tuesday Morning Productivity Extravaganza

Tuesday felt like the first day back from the holidays should. We were tired, well Josh and I were tired, we were motivated and anxious to get to work, and we got a lot done. It was a very great way to start the new year!

We spent the better part of the morning and early afternoon planning for our upcoming project, Save the City, which will involve a number of community events over the coming months, and the details of which we’ll be announcing soon.

Basically, we’re hoping to start a larger conversation with the City of Windsor, trying to determine all the details that make this place what it is, while also imaging new ways to document it at this moment in time. It’s going to require the participation of as many people as we can get, and it’s going to be the start of something even bigger. Needless to say, we are excited!!!

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Love in a Cemetery: Art as Examination

If you haven’t already signed up for the Art&Education email list, do it now. Also, make sure you tick off at least the E-Flux list too. It’s nearly always a joy to get these in my inbox, always making me wish I had more time to read, to apply, to attend these exhibitions and schools and conferences that I see advertised on these lists.

Love in a Cemetery is just the most recent interesting thing to come from these lists, with the title taken from a quote by Allan Kaprow that goes like this, “Life in a museum is like making love in a cemetery.” With L.A.-based visual artist Andrea Bowers and curator Robert Sain, students from the Otis College of Art and Design and community organizations from throughout L.A. are participating in this exploration of aesthetics, pedagogy, and cultural politics.

Ok, sounds pretty good, definitely something that we’d generally be interested in, but here’s the really good part…

The project features a unique take on art as examination, as investigation into the future of cultural organizations, including art schools and community-based activist groups in the same learning circle as the better known museums of L.A.

And…

Sain considers the opportunity and obligation for arts organizations to be socially responsible and responsive in an age of diminished resources and uncertainty.

By the way, this is all part of the new residency model that 18th Street is attempting to generate, with this year’s cycle called Status Report: The Creative Economy.

18th Street itself has recently shifted from running a standard gallery program to an entirely different model for using the space — making it active by curating artists involved in process-based work continually. It’s still art, it’s still curated art, but it’s committing to thinking about what art can do or what art can be today.

It’s exciting to read this stuff. You should be excited. It’s exciting because this is part of what we try to do and it’s nice to know that other people like doing this as well.

[via Art&Education]

A Collection of Art Collectives

Though not necessarily an exhaustive list, but definitely worth your perusal and bookmarking, Shawn Moore over at Socialart.com has created a “loose history of art collectives.”

It’s a pretty quick read and helpful to contextualize what we do here at Broken City Lab, as we locate ourselves as a part of this lineage. I’m always wanting to spend more time thinking about the context in which we place ourselves … we’ve had the opportunity to do this in small bursts on a number of occasions (one of my favourites being our trek to New York back in September), but I also think this is where the talk around generating some kind of larger text (dare I say, self-published book) keeps hanging around in the back of my mind.

Ultimately for the sake of thinking through the larger discussion that we continually have around our practice and to counter the limits that this blog format seems to present, I’d love to say that we’ll write a book this year, but don’t hold us to that.

[image of the architecture collective, Ant Farm’s Media Burn from Make]

A Conversation with Josh Mehler from White Space Collaborative

Josh, Cristina, and I spent a part of the afternoon yesterday speaking with Josh Mehler, formerly of the Windsor/Detroit area, now studying at Florida State, working on a PhD in Rhetoric and Composition.

It was a great conversation, and as always, these kind of casual interviews help us to articulate what we’re trying to do in an expanded manner. We talked a lot about why we use text, how the idea of composition can move into a physical space, and what the potentials are in connecting artists and writers more often and in alternative spaces. My favourite interviews are the ones where I learn something too, which in this case, I definitely did.

I think Josh will be posting excerpts from the interview on his blog, so be sure to tune in there.

Starting New Projects: Researching the Basics of Arduino + LCDs

As part of a Canada Council for the Arts Inter-Arts Research and Creation grant I received, I will be documenting my work on the project through here, as I anticipate it will cross over into other projects we work on and came out of past projects we’ve completed.

This project comes out of Broken City Lab‘s previous work on Text In-Transit, where I’m hoping to open up a continuing flow of those kinds of texts in relation to a public space like a bus, or bus stops, or the downtown terminal. It’s likely that we’ll be working with Transit Windsor again on this project as it moves along. The project will connect this kind of publicly-engaged work I’ve done with BCL with some of my digital work I’ve done in the past.

The project is going to involve a lot of experimenting with Arduino-controlled LCD screens, and efforts towards capturing sms text messages, twitter updates, and emails and pushing them all into an LCD display. This will be the foundation of the project anyways.

I’m assuming this is going to involve a combination of interfacing Arduino with Max or Processing and using Perl or maybe PHP to do the text processing (depending on how involved it is), though it may end up taking another route altogether, but that’s what this time is for. I’ll be spending the next few months working through these aspects of the project, while also building towards an approximation of a public installation. I’ll spill more details as time goes on, and I’ll be documenting my progress, as I’ll undoubtedly need notes of my own, and why not keep them on here?

For now, I’ll be working through some basic tutorials, and eventually heading up to InterAcces for some of their workshops.

I would like to thank the Canada Council for the Arts for their generous support in this project. I’ll be acknowledging their support with their logo on each post that I write while documenting this project.

Designing Promo for “Save The City”

I’ve been mulling over some potential designs (the 8.5×11 pictured above is just one sketch of an idea) for the promo for our upcoming Broken City Lab: Save The City project, which will start at the very end of January, 2010.

There’s still much to finalize, in terms of dates and locations, and we’ll need to really start moving on this as soon as the break is over, but I just figured the best thing to post on the last day of the year is some of the work towards all the exciting things we’ll be doing in the new year.

Also (and always) considering ways to make our site more engaging … any suggestions?

Happy New Year.

Streetlight Storm by Katie Paterson

At any one time there are around 6000 lightning storms happening across the world, amounting to some 16 million storms each year. Such dizzying statistics are useful to hold in mind while experiencing Streetlight Storm, a new artwork by Katie Paterson.

Paterson’s work often deals with the translation of experiences of nature to representations of nature. I quite enjoy projects like this that visualize the complexities of data from the natural world in quiet, simple ways, as previously noted.

httpv://www.youtube.com/watch?v=MfsqlBrqlSs

Be warned, the music kind of destroys this video. At any rate, for one month on Deal Pier in Kent, during the hours of darkness, the pier lamps will flicker in time with lightning strikes happening live in different parts of the world.

[via PSFK]

Last Meeting for 2009!

IMG_7289

Monday night marked the last Broken City Lab meeting of the year!!! We’ll be taking a brief break over the holidays and then gearing up for a series of events starting at the end of January.

For anyone who has been wondering how to get involved or if we’d ever hold open office hours again, stay tuned, there’s going to be a lot of things to do in the new year!

As per usual, we spent some time just trying to sort out our upcoming schedules, planning for a performance at Propeller Gallery in January, and talking about the many details we need to get started on for the Broken City Lab: Save the City project.

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