I totally had a nerdgasm when I saw this. It’s an LED Light System for your bike. Developed by co-founder of the lovely and informative Instructables.com, Dan Goldwater. Here’s the site to get one. It’s not that bad actually, it’s 64.99USD. Not a bad investment, considering that you will always be seen riding around at night. Oh man, I’m definately considering it.
Once more, I found this beauty on Boing Boing Gadgets.
You’re probably wondering what’s going on in this picture. The band The Craft Economy has hit the streets with their own protest agaisnt bill C-61. From Boing Boing:
The disc, containing a demo of “Menergy,” a track off of the band’s upcoming record (due late August) isn’t simply Creative Commons licensed music like their previous hydro pole-only release, this time it’s a Bill C-61 protest too (see that little piece of paper sticking out of the back of the disc? Yeah, that’s the protest part). It reads, in part: This is far and beyond and more bizarre than the heavily criticized DMCA in the USA. Copyright should protect the rights of artists and producers of creative content, but it should not suppress creative and artistic expression. The Craft Economy has licensed our music, including this CD, using the Creative Commons Attribution-Noncommercial 2.5 license. This license gives you the freedom to share our music with your friends and enemies, and remix and use it in new and creative ways, provided you attribute the work back to us, and you don’t make money off our work. It’s fair for you and us. This is the way art should work.)
Totally intense. For more information on what Bill C- 61 click here. No seriously, C-61 is super ridiculous and way harder than the American version. Another reason to silence corporate lobbyists FROM ANOTHER COUNTRY WTF.
Actually, I was talking to a friend who was reading the article in depth and said that the majority government was looking at it with shifty eyes. I hope they see what we see.
Attaching pens to branches of trees, Tim Knowler produces tree drawings, or rather, sets up the situation in which a tree can produce drawings. I was pleasantly reminded of his work, having come across it sometime last summer, through an email and Inhabitant.
From his artist statement,
“The exploration of Chance and Process is core to my artistic practice. Akin to scientific experimentation and investigation, the results of my projects [although operating within carefully developed controls and parameters] are unpredictable and outside my control. It is the wind, postmen, the motion of a vehicle, or players of a game that unwittingly determine the outcome.”
I will be forever interested in the idea of chance within artwork, especially when the elements of chance are coming from nature.
[via]
The members of Broken City Lab will be holding a research session on Friday August 1st on perfecting a Seed Bomb recipe. Check back when we post our findings!
[NOTCOT at GLOW: Usman Haque’s Primal Source from Jean Aw on Vimeo.]
As part of GLOW in Santa Monica, Usman Haque’s Primal Source was a huge interactive light/projection installation on the beach. Rear-projecting onto a water-screen, the installation responded to sound from the crowd with microphones being placed along the crowd’s edge on the beach. The event went on for 12 hours throughout the night. The software was built withProcessing and PD (an open-source cousin of Max/MSP/Jitter).
OK, last one from me tonight. In 2006 Alexander Mcqueen’s ready-to-wear show finished off with a damn near historic (pun, collection related) finale. Inside of the pyramid a ghostly figure materialized, only for it to be Kate Moss! The effect is created with plates of glass, which form the pyramid, and lighting techniques. The ghost was prerecorded and projected forth. Thanks toWikipedia, the effect is called Pepper’s Ghost.
To get the full effect, the video IS A MUST.
In 2006, AIST (Japan’s National Institute of Advanced Industrial Science and Technology) developed the first 3D image projector. “How does it work?” you say? From Pink Tentacle:
The newly developed device … creates “real” 3D images by using laser light, which is focused through a lens at points in space above the device, to create plasma emissions from the nitrogen and oxygen in the air at the point of focus. Because plasma emissions continue for a short time, the device is able to create 3D images by moving the point of focus.
Essentially, the laser IGNITES AIR to create a pixel. So, I wouldn’t suggest touching it. lawlz.
Here‘s one more article about the update of the projector.
Here’s a link that I found thanks to Facebook. The Groundswell Blog documents trends in art/design in activism. Awesome.
“Could it be that we are connected to all things in the universe and not the centre of it?”
Last night I saw two episodes of E2 Design on TVO. The shows are incredibly well-done, the cinematography style alone would have been enough to have me watch an hour worth of television on nearly any topic, but the fact that the show focuses on our current/historical energy crisis/solutions made it that much better. The website for the show offers downloads of each episode in podcast form, which is highly recommended. The introduction to the show, which you should immediately hear/see playing when you go to their website is inspiring and describes a mindset that I hope becomes more widespread—that we are continually making decisions that effect more people and more things than we could ever have imagined.
A quick entry from the always good Pasta & Vinegar highlights an instance of “revealing the invisible” in France where this large sign shows the real-time energy production of roof-top solar panels and the saved greenhouse gases. We need to be able to see, to understand, what it is we are doing by following the same consumption patterns we have for the last 25 years.
Nuage Vert was a multi-year project that was first conceived in 2003 and eventually realized on Friday 29th February, 2008, between 7-8pm in Helsinki, Finland by the artist duo,HeHe (Helen Evans and Heiko Hansen). During this time 4,000 local residents reduced their energy consumption by 800 kVA, the equivalent of the power generated by one windmill running for one hour. Using a laser animation, data describing the power consumption of the coal power plant, was projected as an outline of the cloud onto the exhaust from the coal power plant, which grew as power consumption went down. The project was massive in scale, not only physical logistics, but also in creating partnerships between the artists, government, and business.
From HeHe’s website:
“Nuage Vert is based on the idea that public forms can embody an ecological project, materialising environmental issues so that they become a subject within our collective daily lives … Nuage Vert is ambiguous, as it doesn’t offer a simple moralistic message, but rather tries to confront the city dweller with an evocative and aesthetic spectacle, which is open to interpretation and challenges ordinary perception .. [it] alerts the public, generates discussion and can persuade people to change patterns of consumption. ”
The scope of the project is incredible in that they were able to secure the permission necessary to do the projection, as well as having access to the data of energy consumption, and the chance to make this a public event. Not that any of those things should be incredible to achieve…
Another project that visualizes energy use: Aerophile’s Air Pollution Helium Balloon.