Lucy Howe’s Wilt

Wilt by Lucy Howe

As part of the Green Corridor‘s Open Corridor festival, Windsor’s Lucy Howe installed a series of wilted road signs, entitled Wilt. The signs themselves reiterate the bend, or wilt, in its respective sign pole and simultaneously comments on some of the many issues surrounding this stretch of road, and the kilometer or so to its north. The signs were originally installed as pictured above, but shortly after their installation, a City of Windsor truck came by to take them down.

Thankfully, the signs were recovered before being carted away and are now installed on the Northeast corner of Huron Church and College.

Howe’s work has an incredibly fun way of intervening with infrastructure and the everyday. All of the work is amazingly labour intensive, but so expertly pulled off that it can make you continually guess at its sincerity in the best way possible. If you’ve been to the AGW lately, you would have seen her work—a drooping chair and melting wall on the second floor as part of the Biennial.

Howe has another work in her archives that I’m hoping she’ll work on again, if the right place can be found. The work involves reshaping a chain link fence’s form and function, how could I not be in love?

Refining and Reworking the Planters

IMG_2949

Another week and another day in 406 Pelissier, which as it continues is now part of Windsor’s Visual Fringe. It’s tough to find time to get down there, but I think we made the best of a few hours last Tuesday. We’re continuing work with the planters, which is (as they always seems to be) another fairly long-term research and development type of project. However, we made some great progress and some new strategies for designing the planters, and did a couple more test transplants.

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Windsor: One of the Worst-Run Cities in Canada

Windsor City Hall

Not that this really comes as any surprise, but a Macleans study found that Windsor is one of the worst-run cities in the country. The low grades comes from two areas in particular, efficiency and effectiveness, where Windsor ranked 23 and 28th respectively out of a total of 31 cities studied.

Now, to be fair to the Rose City, a lot of these numbers were based on concerns that come out of managing the city, that is, things like how much money does it cost to collect the trash and how much does transit cost per kilometer. Really, these are things that are indicative of poor management strategies, with Windsor ranking as one of the highest governmental costs per capita, rather than a true reflection of the ground-level problems in Windsor that one might usually encounter.

In the end, Windsor ranks 26th overall, making it just five up from the worst-run city in the country.

[via Windsor Star]

Making the Signs for Naturalized Areas

signs

We recently decided to demarcate some of many accidental meadows across Windsor with these Naturalized Area signs. In hopes that these signs might momentarily allow residents of Windsor to look at these naturalized spaces for what they are—that is, wonderful additions to our urban landscape—instead of the result of a politically-charged issue, we spent the earlier part of this week designing the signs, getting them printed, drilling holes, and installing them.

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The Public School

publicschool

The Public School is an initiative by Los Angeles’ Telic Arts Exchange, and, so far as I can tell, the basic premise is this: people interested in either teaching or taking a short-term class on a given subject propose that class; other people interested in such a class express their interest on the School’s website, and proposals eliciting the greatest public interest are selected to be taught. Nominal fees are collected, an instructor and curriculum are settled upon, and then the class is held at a space provided by the School. Topics already selected range from gold leafing and piñata-making to discussion of Benjamin’s Arcades Project and conceptual choreography. And S&M. And composting.

So far, the School has also launched programs in Chicago and Philadelphia. Now, it’s difficult to imagine the exact same system working in precisely the same way in a city the size of Windsor (put simply, there likely aren’t enough interested parties for the same degree of “crowd-sourcing” to be practicable), but as an organizational model for knowledge- or skill-sharing, I think there’s a lot that could be taken from the School’s format.

I’ve written here before about the potential that comes of having a physical space out of which to work, and something like this is perhaps one of the more compelling possibilities. The “school” here is, in effect, an empty classroom: the curriculum and schedule emerges out of a collective desire to see a given thing happen. And then it happens.

People everywhere have knowledge and experience that, in large part, goes under-utilized. It’s not difficult to imagine finding a couple-dozen people willing to chip in ten bucks for a silk-screening workshop, but, at the same time, there’s potentially something to be gained by bringing together four or five dedicated turbo-nerds willing to spend a night each week talking about—I don’t know—European versus North American histories of site-specificity in artistic practice and how these come to bear in current understandings and implementations of “relational” creative activity (only one example, of course). For the particular terbo-nerd leading the seminar, that outlet and the even-slight reciprocity of interest could mean the difference between sticking around and giving up and moving to Kitchener (“the Ghent of Southern Ontario,” I hear they call it). Or something. I don’t mean people like me specifically, of course; I’m just saying.

I could also teach gold leafing. Or piñata-making, come to that. Just saying.

Lisa Anne Auerbach

Lisa Anne Auerbach

Lisa Anne Auerbach came to Windsor and did an artist talk, almost a couple years ago now. I remember in particular, her slide that stood in for her graduate work—it was just a blank slide, I chuckled and kind of shivered. Beyond that, I can’t remember a lot of her presentation, other than she also worked at a planetarium at some point, and published zines, but something about her practice stuck with me.

Her work that seems to make the rounds most often is pictured above—sweaters with (mostly) political messaging on them. Using a computer-controlled knitting machine, she often makes sweaters and matching skirts and then poses in them. The messages are somewhat immediate responses to current cultural and political climates, and it might be the immediacy of the response that I enjoy so much; well, the immediacy and the text.

Also, I thought it might be a good reference for the fun folks over at CNAP.

Naturalized Area: Accidental Meadow

Naturalized Area

Installed across the road from the University of Windsor‘s Naturalized Area, our sign highlights one of the many wonderful accidental meadows, created by the ongoing city workers strike.

These naturalized areas allow for a moment in which one might be able to mistakenly believe that Windsor is a progressive city, a place where this type of naturalization is encouraged for its beauty, for its potential to attract wildlife, and for the stories our landscape is capable of telling.

With rumours circulating about a potential 30% of the newly naturalized areas across the city remaining in their naturalized states even after the strike is over, there is the potential for being able to believe that there is hope for Windsor.

Designed with the help of Steven and printed exceptionally fast at FastSigns, these signs will pop up over the coming days in other particularly wonderful locations most suitable for advocating the maintenance of their naturalized state.

Psychogeographic Map: East Chinatown’s living and dead businesses and their smells

psychogeographic map

This is a small excerpt of a large map made by students in OCAD’s Cities for People summer workshop, depicting the East Chinatown neighbourhood, its businesses and their smells.

You should take a look at the larger map, which helps to demonstrate the potential in mapping outside of the continually pervasive Google Maps.

To take time to note a neighbourhood in this somewhat peculiar detail is an interestingly necessary method for interfacing with a place one might normally walk by, and in turn, of course, makes me eager to do the same somewhere around these parts.

[via Spacing]