Maya Lin, Topographic Landscapes

an installation shot from Maya Lin's show, Systematic Landscapes at the De Young museum in San Fransisco

Maya Lin has created a number of public art works, memorials, and has increasingly shifted her practice towards studies of landscape, often rendering rivers, geographic relief, and water lines. Interestingly, many of her recent works are made exclusively of reclaimed materials—silver from jewelry, computers, and photographic process, and lumber from sustainably harvested wood.

There’s an interesting, but lengthy, video lecture by Maya Lin on the De Young Gallery website, where she explains a lot of her work and the processes behind it. 

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A Vending Cart of Maps

Making Maps by People, then putting them on a vending cart, project by Katy Asher

With our interest in mapping (and using the fancy technology of Google Maps to try to do so), I thought it might be interesting to post on this project, which is very much not about fancy technology. Katy Asher, a student in Portland’s MFA in Art and Social Practice program, along with Ariana Jacob and Amber Bell, have initiated a project that “aims to make a vending cart of maps made by people from Portland.”

This feels like an intersection of a number of projects we’ve discussed and are also ongoing in the community, and makes me wonder what subjective maps would look like for other Windsorites. Asking for people to map their routes to work, their favourite restaurants, their neighbourhoods would certainly provide an interesting look at the way distances and geography are collapsed or exaggerated and might help to discover some other broken parts of our city and the way it functions (or doesn’t).

Flagging Tape

flagging tape from Canadian Tire

300′ of bright orange flagging tape, $5.97 + tax. It’s fairly thin, but should be really easy to work with. We might have to double it up to make it visible on the fence, that is, double the width of each letter. We should test at Lebel later this week, or maybe on Monday before we go out for a site visit and measurements.

Knitta Please

Knitta's work in France

Knitta formed in 2005 out of frustration of unfinished knitting projects sitting around the house. Instead of trying to finish sweaters and mittens, they decided to go out and bomb the city’s infrastructure (and sometimes garbage) with yarn, starting with their hometown of Houston, Texas and eventually tagging the Great Wall of China. Above you can see a project they did in France. They’ve gotten a lot of mileage out of this project, though things seem to have slowed over the last year.

Anyways, it reminded me of that idea Michelle brought up about dressing up infrastructure in the city for Halloween.

Truth from Poland

Installation / intervention by Truth in Wroclaw, Poland

Using found plexiglass, PVC, and other found materials, Truth has put up a number of installations around Poland, most recently in places outside of cities. His earlier work is more geometric, often cubes, and small squares coming out of buildings; little additions to the architecture where he tests the public’s perception of a known space.

While You’re Sleeping

While You're Sleeping by Andy Uprock

I saw this work by Andy Uprock, while trying to search out some more info on EINE. While I really detest this “cuprocking” terminology under which Uprock has framed this style of street art, I thought it would be a good example to note for our fence-text project.

COLAB

COLAB is based out of Syracuse and is an interdisciplinary program that works in design, art, policy, etc towards real solutions

COLAB is an interdisciplinary program run out of Syracuse University that pushes students to learn how to approach problems collaboratively and share multiple perspectives while working toward creative solutions. Their website is still coming together, the few posts on there are mostly videos / slideshows showing students working on various projects, but it looks like some really interesting things could come out of it.

The thing that caught my eye was this charrette competition, which partnered students from various disciplines over a weekend to come up with ideas and visions for the revitalization of a core downtown area. The competition was sponsored by the Syracuse Chamber of Commerce, and some students will stay on with the Chamber to continue in the planning of moving forward with some of the proposed changes.

Not that I necessarily want to get into this discussion, but I might bring up the University of Windsor‘s logo at this point. Rumours put the price tag of this gem at around $1 million (which I’m sure includes the surrounding “branding” program). The majority of reactions to the logo, as I’ve heard them, begs the question—why not engage students in the design process, or ask them to design it, period? Why wouldn’t this University (or even the city) ask for students to contribute on a regular basis to (at the very least) reimagining, well, everything? How is anything in this city going to be pushed forward if planning is continually done behind closed doors, without the input of the real stakeholders? For now, it likely won’t. 

At any rate, it’s alright that no one is asking, because in reality this just gives us more to work with.