Learn More About… Jeanne van Heeswijk Homework II: Long Forms / Short Utopias Keynote Panelist

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Jeanne van Heeswijk – Rotterdam, The Netherlands

We’re less than two months away from Homework II: Long Forms / Short Utopias and things are really coming together. If you’ve been browsing our site lately, you’ve probably seen that we have announced a tentative schedule for the weekend and a list of people who will be curating and sitting on panels. While things might change slightly in the next two months, the schedule is an accurate representation of how the weekend will go, more or less. We’re very excited and we hope you can attend Homework II this fall. For more information and to register to attend, please click here.

Jeanne van Heeswijk is one of three featured keynote speakers who will be presenting at Homework II. Currently living in Rotterdam, she is a visual artist who, since 1993, has created contexts for interaction in public spaces. Her projects distinguish themselves through a strong social involvement. She creates new public (meeting-)spaces or remodels existing ones with her work.

She regularly lectures on topics such as urban renewal, participation and cultural production and sees herself as a mediator, an intermediary between a situation, a space, a neighbourhood and the people connected to these. She has coined the term “urban curating” for her interventions and “in the sedate Dutch art world in which all taboos appear to have been broken, her work – uniquely – arouses fierce controversy.” Jeanne will be speaking with these ideas in mind and, along with Steve Lambert and Darren O’Donnell, will be presenting on the first evening of Homework II (Friday, November 8th).


Jeanne van Heeswijk – Public Faculty (2008-2012)

Public Faculty No. 1
Public Faculty No. 1 – Skopje City Park (2008)

Public Faculty, which has previously taken place in Macedonia, the Netherlands, Serbia and England, refers to Joseph Beuys’s epochmaking work ’Richtkräfte’, an installation with 100 blackboards created for public discussion. The idea is to engage in learning by means of exchanging knowledge in a certain locality. By visualizing the discourses, the signs set a rethinking of the public arena in motion through collective cultural action. Driven by a belief in the connection between art, life and space, she engages herself in local communities and involves the public in social projects with communication and change as the objective.”


Homework II will run November 8-10, 2013 in Windsor, Ontario at Art Gallery of Windsor and CIVIC Space.

Our featured keynote speakers this year will be Jeanne van Heeswijk (Rotterdam), Darren O’Donnell (Toronto), and Steve Lambert (New York). In addition to our keynotes, we’ve also invited a series of curatorial partners, who we’ll be announcing soon, to develop panels that tackle the conference themes. And, to top it all off, everyone who attends will be co-authors of a book that captures the ideas and conversations from this year’s conference through a series of interviews with presenters, attendees, and organizers alongside collected materials from our 2011 conference.

For more information, please email homework@brokencitylab.org

Homework II: Long Forms / Short Utopias is made possible with generous support from the Ontario Arts CouncilOntario Trillium FoundationArt Gallery of Windsor, and IN/TERMINUS.

HomeworkIISponsors

Drift v2+ : Looking for Friendly Android Developers

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Maybe you’ve used Drift. If you’re on the iPhone anyways. We’ve never had the expertise or resources to pull together an Android version of our psychogeography-inspired app, but we’ve consistently had a lot of people ask about when we would. The answer has always been, hopefully soon.

Today, we’re reaching out asking for some help. If you’re an Android developer who might be willing to lend a few hours of their expertise, please get in touch. Technically, the app’s core is written in Javascript, HTML, and CSS, and wrapped in PhoneGap to access the iPhone’s core functions. We’re looking to port that over to an Android-friendly version.

We’re also looking for someone with some expertise in PHP to pull out all the great contributions people have made to Drift and make a web-app that features their adventures.

While we don’t have funding to support this project right now, we can promise you credits in the app, on our website, and our sincerest thanks, and if you’re in Windsor, we’ll definitely buy you a beer.

Get in touch!

New Publication Out Now: Invented Emergency (For Small Cities & Big Towns)

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We just received a few boxes of our newest publication, INVENTED EMERGENCY (For Small Cities & Big Towns), published through White Water Gallery. They look so good, we can’t wait to give them out!

INVENTED EMERGENCY is built on the research developed for Surviving North Bay, a residency and exhibition by Broken City Lab, hosted by White Water Gallery in the summer and fall of 2012. Surviving North Bay developed as a series of exploratory public interventions, micro-gestures, and tactical responses to North Bay. Each of these exploratory initiatives called on public participation to engage with North Bay, its infrastructures, and its communities. Throughout the residency, we collected research on the city in support of an exhibition that aimed to not only examine the practice and production of a northern locality, but also present a range of resistive tactics that can help the community survive, or help one survive the community. Emergencies became shorthand for this series of resistive tactics and gestures and INVENTED EMERGENCY extends these ideas towards developing a series of starting points and positions for new (and revisited) radical practices.

Pick up your copy at CIVIC SPACE, or let us know if you want one, and I’m sure we can arrange getting one in the mail to you!

Huge thanks to Clayton and Robyn and everyone at White Water Gallery for making this possible!

This project was generously supported by the Ontario Arts Council.

Windsor is Forever: A Short Documentary

With Portland-based artist-in-residence, Jason Sturgill, we reframed his previous project, Art is Forever, as Windsor is Forever  – a community-driven art and tattoo project that gave Windsor residents an opportunity to make a permanent commitment to the city. Participants chose from a flash tattoo set created in collaboration with local artists and illustrators to receive as their free tattoos, which were offered free of charge by Dave Kant of Advanced Tattoo, and Jon Jimenez and Steve Jones of Flying Dagger Tattoo.

During the event, Andrew Frickey captured the tattoo artists at work and conducted interviews. The results were compiled into a short documentary which can be viewed above.

We’d like to thank everyone who came out for the sketch night and to everyone who helped make this project possible.

Tattoos by Dave Kant, Steve Jones & Jon Jimenez.

Short Film Directed and Edited by Andrew Frickey

Windsor is Forever Recap

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Last Thursday, March 7th, we transformed Civic Space into a tattoo shop for one full day. This was the final event in a project we co-hosted with Portland’s Jason Sturgill called Windsor is Forever. In the spirit of Jason’s Portland project Art is Forever, Windsor is Forever became a community-driven art and tattoo project that gave Windsor residents an opportunity to make a permanent mark on themselves. It also gave us an opportunity to discover what Windsor might look like as a set of icons. We found out which objects or symbols were important to Windsor residents, and which could begin to tell a story of what Windsor was and will be.

Windsor is Forever allowed us to connect with artists from the area and help create something that would last forever. This project demonstrated that Windsor is very important to many people, and for some, it is an integral part of their identities.

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Civic Space was transformed from a multi-use studio space to a sterile and appropriately-lit tattoo parlour in a day. This wouldn’t have been possible without the hard work of everyone who played a part in making Windsor is Forever a reality. The commitment from those involved and the participants themselves was incredible.

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We should also note that if you didn’t get a free tattoo on Thursday, but you’re interested in using one of the designs, don’t worry. The flash set that was created from Monday’s Sketch Night and from submissions thereafter will be available at local tattoo shops shortly!

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We’d like to give huge thanks to everyone involved in this project. Thank you Jason Sturgill, Dave Kant, Steve Jones, Jon Jimenez, Arts Council Windsor & Region, all the reporters who came by to document the event, everyone who came out and contributed to Sketch Night, and everyone who contributed a Windsor story and came to get free a tattoo!

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To view the entire set of tattoos finished during Windsor is Forever, please click here.

A Proposal for Making It Easier to Stay Here: On Economic Development, Tax Policy, and Youth Retention

I sat down with a couple of different people over the last few weeks to discuss the possibility to rethink how we collectively address youth retention in Windsor. It’s an incredibly pressing (and yet somehow invisible) emergency. As a faculty member and collaborator with many recent graduates, it’s a professional and personal challenge to see people move away from Windsor. And yet, it’s so rare that recent grads do stick it out that it’s impossible to imagine how huge of an impact they could have on the city.

And, of course, it also begs the question — why do people move?

The draw of a bigger city, their experiences here in Windsor, and job prospects are all often cited for packing up at the end of an undergraduate degree, and for good reason. These things can weigh heavily on a decision of staying in Windsor after graduation, as the city itself cannot offer much in lieu of them. However, I have to wonder what ‘the thing’ is that might help recent graduates decide not to move away. What about this city might be able to draw people to stay and even bring people back?

It started with cheerleaders. Or more specifically, an idea for a guerrilla cheerleading squad. that went something like this: What if we paid unemployed recent graduates to show up to political events — city council, funding announcements, town hall meetings — to advocate for more resources being put towards youth retention? The guerrilla cheerleading squad would show up, make some noise, and hopefully draw attention to the lack of ambition and absence of real work being put towards keeping young and creative talent in this city.

But, that conversation led to an honest assessment of potential impact. A cheerleading squad might make the paper once, it might draw some attention to the issue, but ultimately, we wouldn’t be arming ourselves to have a conversation about what should be done, or what could be done with some imagination, to address the issue. The long-term impact would evaporate.

So, that led to another conversation. How could we enact a kind of long-term impact towards addressing the lack of initiative put towards youth retention at the regional level? It’s a conversation that I’ve been having for two years (and probably even longer), and yet it feels like the exact same conversation over that entire time.

There’s a reality here in Windsor that always seems to surprise people from away when we tell them about it. First, commercial property taxes are really, really high. But that’s not the surprising part. Second, there’s a lot of vacant commercial spaces and a lot of need for affordable space. But, that’s not surprising either. The third and surprising part is that if you own a commercial property, and it’s vacant, you can fill out a two-page form and get a property tax rebate. So, naturally, there’s little incentive to reduce the rent to reflect the realities of the market and economy here. And in turn, there are few opportunities for a young start-up of any kind to get into a space and get to work doing whatever great thing they might want to do.

Long-term impact will be driven by some radical short-term changes here in the city. These changes need to be developed specifically for Windsor, they should try to solve a couple of parallel problems (but not attempt to solve every problem), and they should be something that might be able to make national headlines. With that in mind, there’s a preliminary plan. It’s early, it’s naive, but it’s going to be further developed and researched. And, it goes something like this:

Instead of a tax rebate just for vacant space, that same rebate should be extended to allow (actually, to encourage) landlords to make their space available free of charge for new businesses, artists, and non-profits operating in their first year and still access the rebate. Businesses, sole proprietors (artists), and non-profits would all register to verify that they were indeed a new startup and they would find the appropriate vacant space and interested landlord — perhaps in collaboration with the area’s BIA. The landlord would fill out a very similar to what already exists two-page form, while noting their request for exemption of the necessity for 100% vacancy for supplying space to one of these startups, and ultimately receive the same tax rebate while supplying vital and incredibly necessary space for young creative people. In the second year of such an arrangement, the startup renting the space could pay a graduated fee (perhaps 50% market value in year 2, 75% market value in year three, and full market value in year four if they could stick it out), or perhaps they would just enter into a normal lease agreement. The bottom line is that the vacant space is filled, there is wealth and job creation, and most importantly, a young creative person sticks it out in the city. And, hopefully, we can tell the world that the city is doing this.

As I noted, research on this is really, really preliminary. There might be a huge number of hurdles or there might already be plans underway to do this, there could be a thousand examples of similar programs elsewhere or it might be a truly unique take on municipal action on youth retention and economic development. We’ll find out as time goes on.

In the meantime, if you have any links, resources, or research to share, please post it in the comments. More soon.

More Great News: We’re the Recipient of a Windsor Endowment for the Arts Grant!

We’re thrilled to announce this, and very flattered to be in such great local company!!!

Honouring leaders in Windsor’s arts community, the Windsor Endowment for the Arts (WEA) will officially present the WEAs, winners of the WEA Arts Leadership Awards and WEA Arts Grants on Saturday, May 5 at Windsor Music Theatre.  Ten recipients will be honoured including the recipient of the first Elizabeth Havelock Grant in the Arts.

Windsor Endowment for the Arts offers four Emerging Artist Grants to support the professional and creative development of emerging artists. Grants are awarded every second year to successful applicants. Artists who meet the eligibility requirements are invited to apply.

Outstanding nominations, from the public and recognized leaders in the arts culture community identified the seven winners of the WEA Arts Grants. Three arts organizations and four emerging artists will be recognized.

Arts Infrastructure Grants

Community Arts Nancy Johns Gallery & Framing
Performing Arts Chris Rabideau
Visual Arts Media City Film Festival

Emerging Artists Grants

Community Arts Broken City Lab Artist Collective
Literary Arts Kate Hargreaves
Performing Arts Crissi Cochrane
Visual Arts Amy Friend

Elizabeth Havelock Grant in the Arts

Visual Artist Shirley Williams

Huge thanks to Windsor Endowment for the Arts, and to Jennifer Willet and Rod Strickland for the nomination. We’re looking forward to celebrating on Saturday! See you there!

We Made the “2012 Sobey Art Award” Ontario Long List!

We’re really exited to post this … just found out today! We made the 2012 Sobey Art Award Ontario Long List! It’s incredibly flattering to have made it to this stage of the competition, and we owe a huge thanks to Srimoyee Mitra for the nomination.

And, in case you didn’t know, we’re not the first Windsor-based artists to have been included — Zeke Moores made the short-list just last year!

Ok, more soon, but in the meantime, here’s the official news from the press release:

The Art Gallery of Nova Scotia and the Sobey Art Foundation are pleased to announce the long list for the 2012 Sobey Art Award, the pre-eminent award for contemporary Canadian Art. This year marks the 10th anniversary of the Award. Following a three-month nomination process, the Curatorial Panel has announced the 25 artists vying for the 2012 Sobey.

The long-listed artists for the 2012 Sobey Art Award are:

West Coast and the Yukon
• Sonny Assu
• Julia Feyrer
• Gareth Moore
• Kevin Schmidt
• Corin Sworn

Prairies and the North
• Amalie Atkins
• Paul Butler
• Jason de Haan
• Robyn Moody
• Elaine Stocki

Ontario
• Broken City Lab 
• Aleesa Cohene
• Annie MacDonell
• Nicholas Pye & Sheila Pye
• Derek Sullivan

Quebec
• Olivia Boudreau
• Raphaëlle de Groot
• Julie Favreau
• Nadia Myre
• Ève K. Tremblay

Atlantic
• Mark Igloliorte
• Stephen Kelly
• Eleanor King
• Lisa Lipton
• Graeme Patterson

The 10th Anniversary shortlist of the Sobey Art Award will be announced in late June. An exhibition at the Museum of Contemporary Canadian Art (MOCCA) in Toronto will feature select work by the shortlisted artists from October 24, 2012 to December 30, 2012. The 10th Anniversary Sobey Art Award winner’s announcement will take place at a Gala event at the MOCCA on November 16, 2012.

The 2012 Sobey Art Award Curatorial Panel consists of:

• David Diviney, Curator of Exhibitions, Art Gallery of Nova Scotia;
• Louise Déry, Directrice Galerie de l’UQAM, Université du Québec à Montréal;
• David Liss, Artistic Director and Curator, Museum of Contemporary Canadian Art;
• Ryan Doherty, Curator, Southern Alberta Art Gallery;
• Bruce Grenville, Senior Curator, Vancouver Art Gallery.

For more detailed biographical information on the 25 long listed artists and members of the Curatorial Panel please go to: www.sobeyartaward.ca

In Store: A Series of Documentary Shorts on SRSI

We’re incredibly excited to be able to post this trailer for the forthcoming series of documentary shorts, In Store, produced, directed, and edited by the astoundingly talented, Daragh Sankey. Here’s the background from the In Store website:

It’s been a long time coming, but I’m finally posting stuff from my work in Windsor. It is a series of documentary shorts called In Store. It’s stuff I shot during Broken City Lab’s SRSI Project. SRSI stands for Storefront Residencies for Social Innovation, and it involved artists from across the country doing residencies in three vacant Windsor, ON storefronts.

I’ve got a trailer up now, and the shorts themselves will start showing up in a week or two. To stay on top of it, you can follow the sitethe twitter feedThe RSS feed. Or, if you’re reading this from the main Angry Robot site, the posts will show up there too. Or you can wait for me to just beam the stuff into your brain, which I’m sure will be available as a delivery platform any day now.

What can you expect from this? There will be about 10 films total. Most follow an artist as they do their thing on the residency, but they’re not all summaries; some single out moments. A longer one will be about Broken City Lab, the organizers of the event, and will be a bit broader than just the SRSI event. One will be about Windsor. I’ll be releasing a new one every week or two.

What’s it all about? Surprisingly, many of the artists used the space less as a gallery, and more as a base camp for engaging with the city. They produced art that was questioning, playful, exploratory and thought-provoking. You will see: disco balls, transplanted plants, fictional security guards, roving libraries, Detroit, gambling, a long street of vacant houses. If there’s a theme, it may be the challenges facing post-industrial cities like Windsor, and the role of art in articulating and helping face those challenges.

Hopefully, you’ll enjoy it.

Keep your eyes here: http://angryrobot.ca/instore/