Any Max Experts out there? Slow steps towards a new interactive project

Don’t mind the mess. A lot of the stuff on there is really just old ideas still scattered. These are early stages in using Max to try to figure out how to trigger some audio recording with some basic video tracking, and we’re not sure exactly how best to move forward.

This is a new project we’ve been trying to get off the ground for the window at CIVIC SPACE, but it’s slow going. Essentially, we want to use the window as a big microphone area where passersby can answer questions we ask on the future of Windsor. The questions will appear in vinyl in the window itself, but we want the interface to be buttonless. Basically, when you put your hand on the window in a designated area, it will start recording your answer and keep recording for as long as you keep your hand there. Technically, that mic will be located somewhere below the window and facing up. Sound tests so far have proven that sound quality to be very useable. While we originally wanted to try to work with contact mics to keep all the gear inside and away from the weather, the process of trying to test that has been too arduous. Instead, we’ve found a workable solution to store the small web cam and mic outdoors (yet covered) with a workable stable location looking up to the passerby, but we’re still working away to solve a couple of problems:

1. We need to test more to find the right thing to track to trigger the video. Because the installation would be up around the clock, we need to find the right place on the window and possibly an augmented lighting situation so that the cv.jit.moments object can keep track of what it’s looking for with more acuracy. So far, we can dial in the right numbers for a daylight and nighttime situation, but nothing that can do both — mostly because of the glare on the window during the day.

2. We still have to write the audio recording section. I’ve put together the basic skeleton in another patch, but essentially, we need that big black toggle box with the green X in it to automatically start a recording and then turn off again when it toggles off. That recording would be automatically saved to disk with the current date/time.

Would be happy to hear how you’d solve the problem below in the comments. We had wanted to have this up and running this month, but we’re already halfway through, so unless we can solve this soon, we might push it back to December.

1W3KND: Call for Submissions for a New Writing Residency

We want to invite you to participate in our new residency program, 1W3KND aimed at developing essays, interviews, manifestos, critiques, reviews, and other texts around ideas of collaboration, socially engaged works, artist-run culture, and public practices. We’re hoping to publish these in one form or another some time next year.

There have been a number of books released over the past year discussing socially-engaged practices (here’s a list of a few of our favourites), but we’re really interested in reading more from artists themselves, especially those in the earlier stages of their career. We think there’s a need to make more time to write through the ideas, questions, and concerns that come through engaging in these kinds of practices, and we’re hoping we can help to accommodate those interested in doing that writing.

As part of this project, and in the spirit of fostering more collaboration, we’ll also try to pair you with another applicant. If you already have someone who you’d like to come with though, please just make a note of it in the form below.

We can’t offer a fee, but we can offer to cover your travel up to $250, and a place to stay at CIVIC SPACE for a weekend.

Please fill out the form below. The first deadline to apply is September 24th, 2012 as we’d like to start hosting these residencies in November.

Good luck!


Submissions are now closed. We’ll announce the first-round of selected participants soon.

New Exhibition: AS OF 2012 WE ARE ALIVE & WELL: FOUR YEARS IN WINDSOR & BEYOND

FRIDAY, SEPT.14th, 2012 @ WAHC 7:30PM -10PM
OPENING RECEPTION: BROKEN CITY LAB
AS OF 2012 WE ARE ALIVE & WELL: FOUR YEARS IN WINDSOR & BEYOND

WAHC’s year- long exploration of growing up in working class cities or families concludes with the first ever career survey of art and urban research collective Broken City Lab.

Recently long listed for the Sobey Art Award, Broken City Lab’s four years of community engaged interventions across Canada have garnered critical praise, invigorated communities and raised fundamental questions regarding people’s relationships to public and private space within the urban environment, the institutions that define it, our agency as city dwellers within the contemporary urban milieu and the role of the arts and artists in shaping how we experience or engage with these environments.

Based in the industrial centre of Windsor, Ontario, the collective’s work has often deployed their hometown as source of inspiration, testing laboratory and a stand in for the hundreds of other communities across the country seeking to redefine their identities in the wake of the 2008 economic crisis.

This exhibition explores the group’s relationship to Windsor through revisiting their earliest works and illustrating how those works have shaped and defined their undertakings in communities across the country.

About the Artists

Broken City Lab is an artist-led interdisciplinary creative research group that tactically disrupts and engages the city, its communities, and its infrastructures to reimagine the potential for action in the collapsing post-industrial city of Windsor, Ontario.

The processes of Broken City Lab remain grounded in the lab’s observations and concerns about Windsor, as a city, as a community, and as a network of infrastructure, and aim to do two things: first, Broken City Lab works through interventionist tactics to adjust, critique, annotate, and re-imagine the city that we encounter; secondly, through these interventions, the lab seeks to educate, inspire, and facilitate a new way of viewing the potential for interacting with and in the city.

Broken City Lab’s creative activity is rooted in community-based social practice, where the lab attempts to generate a new dialogue surrounding public participation and community engagement in the creative process, with a focus on the city as both a research site and workspace.

This exhibition is supported by the Ontario Arts Council Exhibition Assistance Grant.

OAC-logo-EPS-2


Also on September 14 & 15 in Hamilton:

Broken City Catalogue Launch – Friday Sept 14 and Sat Sept 15th, 7-11 pm, in the foyer of Hamilton Artists Inc. including distribution of fibre-based works from the installation on the Cannon St Wall.
Curated by Julie Rene de Cotret.

In Store: Coda

In Store: Coda from Daragh Sankey on Vimeo.

Happy Long Weekend — the final part of the documentary web series on our Storefront Residences for Social Innovation.

From the director’s, Daragh Sankey, description…

This is the final film in the series and posting it makes me feel all sadhappy.

Sad because I have enjoyed doing this project and now its over and feels like saying goodbye to a lot of people I like who I was kind of creepily hanging out with without them being actually there (ok that sounded horrible but editors probably know what I mean). Happy because this has been a truckload of work, and it’s been really hard finding the time to do it, and now after two years I feel a great weight coming off my shoulders. Also, I’m really happy with how these turned out.

I want to thank all the artists who allowed me to film them and their work and make these films. It’s hugely appreciated. I shot many who didn’t appear in the final product, mainly because of time constraints. But I am very thankful of the experience with everyone involved.

Lastly I have to thank Broken City Lab. Without their time, interest, effort, openness and enthusiasm there is no way this would have been possible. I am honoured to have been involved with such a top-notch group of people. Here’s hoping we have poutines at Phog again before too long.

There, and I didn’t even thank my agent or the academy.

This site won’t see too many more updates, although if anything related to the films comes up I will post it here. To be safe, you can check in on my main blog or follow me on Twitter.

The Day’s Summary

Last night was Nadja’s Skills for Good(s) on Dressmaking for Any Body. Here’s a diagram leftover from the workshop. There’s a lot of upcoming Skills for Good(s) at CIVIC SPACE that Lucy is putting together in the fall, very excited to see the line-up!

Started the day with some sketches for a proposal, then scanned them in with our Epson DS-30… Very nice little feed-through scanner.

Then, the afternoon with Rosina, as she prepared for her zine night, I cut and then weeded vinyl. Tiny letters.

The result … a test for our Emergency Kits for North Bay … not finalized, but fun to push these parts forward.

Also, almost lost a file for the Hamilton publication. Not sure how it disappeared from Dropbox (and really not sure how I didn’t find it when looking through the deleted files section on the web version of dropbox), but nonetheless, Time Machine saved the day.

1-Day Project: “Find Something Worthwhile”

We had ordered these screen printing supplies in anticipation of using them for our upcoming Civic Maintenance project, but before we could embark on that large-scale production, we needed to test.

We got process colours cmyk and the basics for screen printing – photo emulsion and photo emulsion remover and two screens.

We haven’t screen printed since last year while we were at Martha Street Studio, and even then we had the luxury of some great technical assistance.

I haven’t shot a screen for a long time, so while the first test was a bit rough (see prints above), the second attempt on Thursday went a little better.

I ran a number of prints and then Rosina took over. Sara and Kevin also got in on the printing at one point!

She made a lot of prints.

Early days in screen printing tests — this detail in particular wasn’t our best work — but the imperfections were working for us.

We printed on a lot of different paper, pulling from magazines and old art periodicals.

Then, we pulled out the window wall that Kevin built a while ago and started to setup the prints as a grid.

I really liked some of the details and textures when things got messy.

Kevin and Rosina tackling the grid.

We ended up having to do some more prints to completely cover the window wall.

And then, the finishing touches of trimming and taping the edges.

And installed! We took down our video installation and Sam’s water-bottle planters to make way for this … sometimes we get impatient … but also, this will make it a lot easier to host the Walk-by Theatre on Mondays.

A closer look at some of the grid. This was an excellent way to spend the afternoon. And, all the better that it was the randomness of being in the space together that made it happen.

Mailbox Prototypes and Organizational Systems for Civic Maintenance

We’re in the preparation stages for an upcoming project called Civic Maintenance. The project will be based around the writing and distributing of a thousand letters (give or take) to residents of Windsor, thanking them for staying in the city, or contributing to it, or somehow having an impact on it, or maybe all of those things. The idea of maintenance (in a ‘civic’ sense, or city sense, maybe) is normally attributed to specific acts on infrastructure and the built environment, towards their preservation in a longer-term. It focuses on an cyclical act, a process that takes significant investment, and most often in a preventative capacity. We think that these kinds of acts could do well to be more closely connected to the people who make up this city, towards preserving a sense of belonging, and investment in this place, and in the largest and most symbolic sense, towards convincing people not to pack up and leave.

These early stages begin with an attempt to narrow down the list of people to receive our letters. Initially, we considered doing a random selection from the phone book, but we soon turned towards a more explicit selection. We still worked from the phone book, but instead started to pull last names that might act as a descriptor for the city, in one way or another. This is still developing, and we’ll be working to translate more last names as well..

Alongside the letter writing itself will be the exhibition design — a way of keeping track and organizing our process. We began to piece together some very crude ‘mailboxes’ from cardstock and cardboard.

And popsicle sticks.

And boxes with coloured paper.

The mailboxes will be attached to the walls and provide a way to organize the letters — perhaps by last name, or sentiment, or geography, or quality of handwriting, or time, or something else.

Intending to embark on an ambitious process to make cardboard mailboxes, we started to put together some templates.

These mailboxes would be not unlike what we might see in a more rural setting.

The form of these mailboxes seemed enticing, as a way to pull things away from being tacked on the walls.

Hiba broke the corrugation to make the cardboard flexible to bend.

She used a pencil.

This gives the cardboard a lot more flexibility, but retains the outside finish.

Rough mailbox design from cardboard.

Two envelopes wide.

More of an exploratory design process than a movement towards any finished idea, this kind of mailbox might work at a smaler scale.

And then, there were these. Simple folder-like design created from 9×12″ cardstock with the edges of pushpins holding it together.

If we’re to make 30 or 40 or 50 of the mailboxes, these basic foldable designs might work best.

They also seem to make the envelopes more accessible in a way — rather than hiding them in the mailbox itself, the sizing of these folder-type mailboxes would make the envelopes more easily legible and would give us an opportunity to look an organization code more readily. That is, we need to figure out not only how to keep track of what letters are sent out, but what kind of data we create based on our last name selection system. We’re not sure where it goes yet, but it’s where we’re at by midweek.

More maintenance soon.

Exploring Urban Ecology with Sam Lefort (a look back at our week of workshops)

It was a quick week, but such an excellent start to our Artist-in-Residence program at CIVIC SPACE. Sam Lefort, bee lover, excellent designer, and most generous workshop host spent the week teaching members of the Windsor-Essex (and beyond) community about a range of sustainably minded practices and interventions, hopefully many of which will be carried on in numerous locations around the region.

We’re already looking forward to bringing Sam back, but in the meantime, here’s a look at the week (and possibly what you missed!)…

Continue reading “Exploring Urban Ecology with Sam Lefort (a look back at our week of workshops)”

The (Nearly Complete) Letter Library Archive

When the Letter Library was up earlier this month at CIVIC SPACE, each participant had the option to borrow a disposable camera from us, photograph their letters, and bring the cameras back. Well, after developing nearly all the cameras (still a few more to come) here is the nearly complete archive of all the photos we received from the project.

Feel free to comment below if any of these photos are yours, and please link us to photos that aren’t up in this archive that you took yourself!

Thanks to everyone who participated in the Letter Library and captioned the city.

Continue reading “The (Nearly Complete) Letter Library Archive”