In Store: From Scratch

The next instalment of Daragh Sankey’s documentary on SRSI, In Store: From Scratch.

Via angryrobot.ca:

We’re going to start things off with this film that gives a little background. We follow Broken City Lab as they take possession of the storefronts, get them ready for the residencies, and discuss the location and the ideas behind the project. Plus, demon toilet and exploding painting!

So here we go. Next week: disco balls. The week after that: Detroit

Keep your eyes here: http://angryrobot.ca/instore/

Wrapping up Production for Hamilton: a quick look at some recent work

As we wrap up production on our upcoming installation, Two Tales of a City, at Hamilton Artists Inc., our Friday night meeting was shifted to Lebel where we set out to coat the bunting with some scotch guard and just started laying everything out.

Rosina braved the quick spray

The rest of the crew helped moved things around — the bunting is all connected and somewhere around 100 feet long.

Touch ups on the reverse side of the bunting.

Some details of some of the transfers. Michelle was at Jodi’s helping to do some of the few remaining cut-outs for the letters that we’ll be placing over the fabric square.s

Josh being detail-oriented.

The bunting are 18″ long.

Some of the pile.

More details. We’ll be shooting photographs of these today before boxing them up.

And the crew trying to get some perspective on the work.

We also spent some time pulling together some installation instructions and doing a preliminary collection of possible texts that will rotate throughout the run of the installation on the fabric banner. We’re really excited to see this go up in Hamilton next week. If you’re in town, come by our workshop on March 9th!

How to Forget the Border Completely, continued: 707PX

Following up on our How to Forget the Border Completely project from last year, collaborator Tom Provost continues to work on ideas around pedestrian border crossings (which you can read all about in the HFBC book!)

Photos and text by Tom Provost


In the summer of 2011, I was in dialogue with Broken City Lab about the idea of forgetting the border… completely! We thought about what could be done at the architectural scale to overcome the enormous divide between Windsor and Detroit. We thought about the possibility of prioritizing pedestrians over industry. We also considered what kind of architectonic could close the gap between the super-human-scale and the individual – a post-industrial dilemma easily visible from the river’s edge. The result was 707PX.

707PX is a speculative project engaging the border cities of Windsor and Detroit in a new entanglement. The geopolitical division acts as an indicator only, a naïve datum. The architecture examines the surreal condition of complete pedestrian dominance with form as an end goal of the process. Ultimately, it is the process that dominates to form a surreal pedestrian condition along the river. The concept became physical after pursuing the connection of past, present, and future incarnations of the river. It began with a map from 1796 that was meticulously traced along both edges, reifying what has now been striated. These new edges were examined as a whole and then as a part. By repeatedly scaling and the slicing them into multiple sections, it quickly revealed an allegiance to an old-world geographic division native to its very own history – the French ribbon farm. The ribbon farms are noticeable on the map from 1796 as they indicate human presence. They are cordoned off plots, extending narrowly and perpendicular to the river. By alluding back to this system, the architecture can interfere with the modern schema at the human scale.

The multiple collections of river’s edge sections are then distributed evenly on their respective sides, in sequential order. The sequence creates tactility close to rippling, with a rhythm clearly visible on both sides. With the border as a datum, both sides dialogue and seesaw at various moments, creating subito and crescendo. The finale occurs when the sequence, thought of as attached to a string, is lifted and becomes conformed to the unique, precise, and mathematical geopolitical division. It should be noted that the 1796 map omits division. The river appears as a singular moving force between bodies of and is left graphically plain. The form of 707PX reifies the singularity of the river by adjoining both cities and entertaining a pedestrian agenda. This investigation answers the question of how one is to forget the border while simultaneously subverting its presence.

In Store: A Series of Documentary Shorts on SRSI

We’re incredibly excited to be able to post this trailer for the forthcoming series of documentary shorts, In Store, produced, directed, and edited by the astoundingly talented, Daragh Sankey. Here’s the background from the In Store website:

It’s been a long time coming, but I’m finally posting stuff from my work in Windsor. It is a series of documentary shorts called In Store. It’s stuff I shot during Broken City Lab’s SRSI Project. SRSI stands for Storefront Residencies for Social Innovation, and it involved artists from across the country doing residencies in three vacant Windsor, ON storefronts.

I’ve got a trailer up now, and the shorts themselves will start showing up in a week or two. To stay on top of it, you can follow the sitethe twitter feedThe RSS feed. Or, if you’re reading this from the main Angry Robot site, the posts will show up there too. Or you can wait for me to just beam the stuff into your brain, which I’m sure will be available as a delivery platform any day now.

What can you expect from this? There will be about 10 films total. Most follow an artist as they do their thing on the residency, but they’re not all summaries; some single out moments. A longer one will be about Broken City Lab, the organizers of the event, and will be a bit broader than just the SRSI event. One will be about Windsor. I’ll be releasing a new one every week or two.

What’s it all about? Surprisingly, many of the artists used the space less as a gallery, and more as a base camp for engaging with the city. They produced art that was questioning, playful, exploratory and thought-provoking. You will see: disco balls, transplanted plants, fictional security guards, roving libraries, Detroit, gambling, a long street of vacant houses. If there’s a theme, it may be the challenges facing post-industrial cities like Windsor, and the role of art in articulating and helping face those challenges.

Hopefully, you’ll enjoy it.

Keep your eyes here: http://angryrobot.ca/instore/

Prototyping Projects for Halifax

Josh, Hiba, and I spent Monday prototyping some projects for our upcoming project in Halifax. This was building off of some small macquettes that Hiba did a week ago.

We wanted to work at full scale, so we got a bit of wood and started thinking through building.

The process was really quick and dirty, we just wanted to get some things closer to full scale to start looking at them and figuring out how we’ll move forward.

We’ll likely end up rebuilding these out in Halifax anyways, so these really will act just as a model.

Some of the tools. Yes, a nail gun. More fun and less sturdy than a drill.

Hiba squaring things up.

Josh, perfecting.

Hiba nail-gunning.

It stands.

Nail gun attack.

Circular saw. Serious.

Inspecting the cut.

 

The second leg…

More reinforcements.

And this as a result.

A very light-weight and portable sign easel. Designed for anyone to borrow and use for their own messaging.

Not quite scaled appropriately. We’ll end up with more surface area for the hardboard and the poster will actually be made on a roll of paper.

And maybe we’ll turn it into a backpack.

Josh seems comfortable enough.

Other ideas include adding some wheels and making it foldable for even easier transport.

Then, onto the next project model — the bike projector attachment.

This was seriously fast prototyping, and a lot of fun. Though it’s possible that Josh had moments of panic watching joints going together that were not measured, cut correctly, or even all that well secured.

But, here’s the gist of it…

Almost a reverse trailer for the front of the bike to hold a projector and a lot, lot, lot of extension cord.

Maybe tomorrow we’ll add some castors and more bracing. More soon.

Two Tales of a City: Acrylic Medium Transfers on Fabric

Over the past few weeks, we’ve been testing out methods for transferring photocopies onto fabric using acrylic medium for the banner and bunting that will be installed on the exterior of Hamilton Artist’s Inc.

Rosina picked up this 1000ml tub of acrylic medium for The Store at SoVA‘s Store. We had some leftover scrap material to play with that we picked up from our technician and collaborator Jodi Green‘s studio at The House.

Using some photocopies of historical articles we collected from the Hamilton Archives regarding francophone feats and struggles and both the textile and steel industries in Hamilton, we got to work doing a few different test transfers .

The medium is applied directly to the fabric then the photocopied paper is placed over the fabric and rubbed in to ensure a crisp image.

We tested on both light and dark coloured fabrics, as well as pure white, to see the difference from one tone to the next. Then, we set our tests to dry overnight in the BFA studio at the SoVA.

Here’s an example of the bacl side of one of our photocopied articles. The text was photocopied in reverse so that it would come out onto the fabric in the correct direction.

The back of on of our tests before setting to dry.

After the first tests had dried at least 24 hours, we got to rinsing them to see the results.

They came out nice and clear! Here’s an example on white fabric.

Another sample soaking for a few seconds in cold water. After trying a sample with hot water, we soon realized that the heat was removing some of the transfer. It seems that cold was the way to go.

Our stack of photocopies.

Next we decided to do a few more tests on a larger surface area to play around with style and placement of the photocopies on the fabric.

Hiba was around working in her studio and giving us helpful hints for rinsing out the fabric transfers.

The remnants of paper post-rinse.

Sketches describing two different methods for transfering; one with medium painted directly on the fabric, the other is painted onto the paper then pressed into the fabric.

Our tests from last time drying. They all turned out well. Some were more interesting than others.

Old photographs of sewing machines made in Hamilton & Region during the 1800’s.

More samples of tests.

After picking up the squares from Jodi, we placed them out on the floor in the general shape of the sign they will become.

I rinsed off the larger tests we had done from last time.

Here’s the first test, medium painted on paper.

The edges were curling and the transfer was not very durable.

Two of the tests hanging to dry. The one on the right will be similar to the end results.

Just for fun, we did a test with clear glossy medium (rather than solid matte) The results were interesting and cool but would only work well on solid coloured fabric. Future t-shirts perhaps?

We started by cutting up all the photocopies in preparation for transfering 16 36″x36″ squares.

We also arranged the events from the timeline Hiba and I compiled during our last trip in Hamilton to be photocopied and transfered onto the Hamilton History timeline bunting.

A giant pile of pre-cut photocopies. After Cristina arrived to help, the pile of 8.5×11″ paper was reducing quite fast and we plowed through it in no time.

Dried samples from previous tests.

Our photocopied strips ready to go. It proved useful to dedicate a whole table for laying them out.

I wipe down the table before laying out two squares for transfering. Always important to start with a clean work surface! Soon after, Rosina and Kevin joined us.

We laid out the strips before securing their placement with the gel matte medium. We went with a broken grid pattern that sometimes crisscrosses over and under itself.

We had fun! We decided to keep working until we ran out of medium for the day.

Hard at work.

We each hard a slightly different method for applying and adhering the transfers, all with the same basic idea; paint the medium onto the fabric then rub and scratch the paper into the fabric.

After cutting up all of the articles and finishing to transfer 8 / 16 squares (each one will hold a letter to spell a word on the giant sign on the side of Hamilton Artist’s Inc), we ran out of medium and called it a day. Rosina will be finishing these squares today and we will get started on transferring the bunting on Thursday.

 

 

 

Two Tales of a City: Hamilton History Hunters Day 2

We spent the day in Hamilton again, this time walking around downtown as Official Hamilton History Hunters, building a timeline of Hamilton’s history with the help of city residents and visitors around Jackson Square, a multi-use complex in the downtown core.

Both Hiba and I had specific tasks that we alternated during our investigation. Hiba had our timeline, pins and post-its while I started off with the camera and a clipboard with research articles from our last trip up.

We met a lot people who ere eager to speak about Hamilton, others were rushed or didn’t have much to say.

This man was visiting Hamilton because his wife was in the hospital. He was a retired auto worker and had some good insights into that industry.

Our timeline quickly started to fill up with experiences, events, feelings, regrets, and hopes for hamilton’s past, present and future.

This person was a student and spent some time briefing a few articles and marking key words and phrases.

This woman was an infinite source of information about Hamilton’s Steele and Textile industries. I feel like we could have talked with her for hours.

Hiba did a fantastic job taking down her points for the timeline as she spoke. I think we must have had 5 or 6 different post-its filled before we continued our hunt.We used sewing pins to attach the post-its to the timeline. It was fast enough for me to manage but Hiba was having a hard time reaching from behind it.

 

Halfway through, I handed the camera off to Hiba and donned the timeline. I quickly realized that I now needed to renegotiate moving through city space.

Lots of hustle and bustle around Jackson Square on this morning, we headed out super early to catch students and workers on their daily commute.

It seemed productive to hang around the bus stops to spark up conversation with people coming on and off the bus.

This guy had some good stories about Hamilton’s past. As I was talking to this guy, Hiba was having a good discussion with another enthusiastic Hamilon Historian.

We were catching many people’s curiosity and interest. Some people were too busy to talk, some didn’t have much to say, and others enjoyed the invitation to share. One lady was just hanging around this area because she was looking for an address and couldn’t find it.

We had some yellow police officers follow us back to our car, I think they thought they were protecting us from the homeless people outside of this mission. I felt pretty safe, though. The night before, we also saw police officers on horses downtown. The only other time I’ve seen that was in Calgary. 

After about a solid two hours we returned to our parking lot and looked over our gathered notes.

Close up of our findings.

What will happen in Hamilton in 100 years?

What are you looking forward to tomorrow?

What happened 100 years ago in Hamilton?

What do you hope for Hamilton in a 100 years?

What did you do yesterday in Hamilton?

What will happen in Hamilton in 100 years?

Hamilton history.

100 years ago, the mafia came here from the old country.

Hamilton’s past.

The two day trip turned out to be really successful! We met and talked a lot of interesting people throughout the streets of Hamilton. Thanks to everyone at Hamilton Artists Inc. for making our stay enjoyable and productive.

 

 

Two Tales Of A City: Hamilton History Hunters

 

Michelle and I headed up to Hamilton to continue the research portion of Two Tales Of A City. The three and a half hour car ride  gave us plenty of time to develop a working plan of exactly what we wanted to accomplish for the next two days in Hamilton, Ontario. To get a better understanding of the history of Hamilton, we thought that making a community timeline would be a great start. Along with that, we would pass out photocopied newspaper articles pertaining to the steel, textile and francophone history of Hamilton for people to highlight and circle the most important parts.

But first, we needed the right tools.

At Staples, we stopped to buy a clipboard, some markers, post-it notes and some kind of paper/board/foam that was long enough to build a time-line.

After some discussion and selection of this awesome yellow clipboard, we decided that for a time-line, it would be much more suiting to use fabric! We thought that playing on the textile history of Hamilton would make for some interesting discussions and story-sharing.

Next, we headed off to the textile district on Ottawa Street to seek out a fabric markers and of course, fabric.

Michelle noticed that all the street names in the textile district had little buttons on them. Neat find!

Inside Fabricland, we sorted through to find the colours to use on the timeline.

Then went on to find the perfect fabric.

Found it.

 

 

After gathering our supplies, we headed to the upper part of Hamilton, where Irene lives, to start making our timeline. Above: the escarpment.

At Irene’s, we started the construction of the timeline. Here’s Michelle testing out the fabric markers.

The black worked out really well. Sadly, the colours shown above, barely showed up.

We decided that we would return the colours and look for a different alternative. Michelle thought that pinning post-it notes with text written on them would look better than writing on the timeline itself, similarly to what was done in Calgary.

Cutting straight lines.

Since the timeline is made out of fabric, we had to consider how we could hold it up and keep it sturdy enough to resemble a sign. Michelle took some scrap fabric and started braided it as an example for some kind of reinforcement to place on the back of the timeline. The discussion led us to believe that adding wooden dowels as support would be the answer.

Close up of the timeline.

Marking the date of “yesterday”.

Using black fabric marker to create some thick lines.

Since the fabric had the quilt squares on them, it made it a lot easier for us to measure across and mark the lines.

Mock up sketch of the timeline.

Inserting key words.

Again.

After that section of the day was done, we wrote out a schedule that dictated how we would spend the rest of our night. We decided that there were some new materials to buy and that we should visit the sites in the textile and steel districts where we would want to set up our timeline.

Michelle with the timeline.

We drove through and around the steel district that is located along the bay area in Hamilton. By car, we encircled the factories and felt how empty this part of the city was compared to the rest.

A lot of the places we drove by were heavily fenced off with multi signs reading “No Unauthorized Entry”.

 

We realized that the steel district would not work very well for gathering information because there were nearly no pedestrians walking and no way we could gain access to the factories.

Industrial steel factories.

Next, we stopped at Lowe to pick up some wooden dowels.

Glue gun, glue sticks, to-do list.

Our stack of supplies.

We bought 2 dowels that were 3 feet long each. We decided to glue them together so that they would span the width of the timeline.

As we worked through the evening, we discussed how best to approach the people of Hamilton. We decided that the more friendly and harmless we seemed, the more willing people would be to talk.

We came up with the “Official Hamilton History Hunters” as a badge to wear on our jackets, stating our intentions as we take to the streets.

Running the dowels through the back of the timeline.

Above: Back patch as well as front “Broken City Lab” badge.

We head out into the city tomorrow! Stay tuned for more.

 

 

 

Monday Night Drift: Volume 1, South Windsor

Armed with an algorithm from Sara, Michelle, Rosina, and I headed out on a walk on Monday night. We had decided at our last meeting to roam around some South Windsor neighbourhoods — seeing as we rarely get a chance to venture into that part of town — and we were surprised by how much familiarity we encountered.

For starters, we began the walk at the site of one of our first installations (not accidentally), but it was still incredible to be at that same spot nearly three years later.

Rosina and Michelle, bundled.

Along the way, we also took note of a variety of spatial activities — things that demarcate or suggest a curious use of the things around us.

The algorithm Sara gave us guided us through a series of things to find (these are documented at the end of the post), but we also improvised in finding other things. Above, the undulations of the chain link cage.

Michelle demonstrates of they’re made.

And, in an especially great moment, the remainders of that installation.

It was really incredible to take a moment and think about the morning we installed the project.

The algorithmic booklet in Rosina’s hands.

After crossing the overpass, Michelle and Rosina look at the neighbourhood.

We begin to document the space — above, a fair representation of the housing stock in the area.

Rosina marks the booklet — the first step, find a site of protest, and we select the installation site of our work.

Shortly after, at the base of the pedestrian ramp for the overpass, we find a portal — the next step. Rosina stakes out the portal, while Michelle heads back up the ramp to send messages.

Michelle sends messages through here.

Rosina listening.

The “portal”, up close. Rosina also reminisces about the area as a site for nearby high school students to congregate. Maybe these used these drainage tubes to send their own messages. Maybe we heard echoes.

We walk around, trying to imagine the construction of these huge spans of free-floating concrete.

We’re amazed in a way.

I was also curious if each light post has its own number, or if this is some kind of other demarcation.

Echoes of covered graffiti, essentially cemented over.

More housing stock, a friend’s place.

In trying to find the next step in our algorithm — a place to change — we all interpreted it as a place to change your clothes (perhaps we were all imagining being on some neighbourhood-wide capture the flag tournament, needing to further camouflage ourselves). We found this large tree.

And then another large tree — these would seem to make the perfect cover.

And then, just to be sure, Michelle suggested something in the streetscape she would like to change. Having biked along this road multiple times, she would love there to be a consistent bike lane.

Far int he other direction, there’s traces of just such a thing.

Then through the school yard at Holy Names.

On the search for something new.

Large tires.

We imagine it must be for giants doing army training.

And then we test ourselves.

Such vast space.

Neighbourhoods border the school.

We find something new in a new neighbourhood.

Then off to find a sanctuary.

At the edge of the parking lot, we wonder what might be in here. At its back corner, there’s some chairs, we consider this someone’s sanctuary.

Around the corner of another building…

…we find some very loose tags, and perhaps something leaking.

And then time.

Then back around to the school. Portables that have long since become permanent fixtures — notice the landscaping.

A break in between portables.

In looking for a place of play, we select an elementary school classroom.

Though we originally marked an interaction with some drivers on their evening commute as the conflict we had to find…

…perhaps this as a site of conflict, with the self ().

 

Rosina taking notes of our second to last step.

We’re east of Dominion at this point, and we continue to explore, beginning to wind our way back to the start.

A pocket of springtime activity.

A garage.

Traces of big bird via Michelle.

Crossing the second overpass as we head back, a really great detail of seemingly improvised repair.

A path that moves pedestrians between backyards and the EC Row retaining wall.

It zig zags to connect corners of south Windsor streets.

And then, a small view onto the EC Row.

Rosina peaks out.

We couldn’t figure out why this would have been designed into the wall — automotive glory hole. (*update: Thanks to Owen for letting us know its to bring fire hoses through the wall in the event of a big accident)

The view from the wall opening.

The path viewing all the way to Dominion from blocks away — made me wonder about how else to formalize shortcuts through in-between spaces.

Cross walk at Dominion, south of EC Row as we wrap up for the evening.

And then, the algorithm with Rosina’s notation.

Thanks to Sara for getting us lost. I’m looking forward to the next one of these. Maybe next week? Who’s in?