A Look at Process: building for CAFKA & designing for HFBC

We’re playing catchup. Between vacations, short hiatuses, and our summer schedules, we’ve been busy. However, getting back together, working together again on a more regular basis, and starting up on these projects again has been so great and incredibly rewarding. Our to-do list above is a small start to all of the projects we have on the go.

We’re working to finish up our How to Forget the Border Completely research publication (if you want to participate, check out our micro-grant), we’re planning the logistics of Homework (consider attending!), and we’re in the early stages of the final build for CAFKA.

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Artists-in-Residence Announced for Homework!

We are very pleased to announce the following artists in residence for our upcoming Homework: Infrastructures & Collaboration in Social Practices project.

These artists were selected from over 120 applicants and represent an incredibly diverse range of practices, interests, and backgrounds:

We’ll be announcing our keynotes and conference participants soon, followed by further details on the entire project in the coming weeks. In the meantime, you should consider registering to attend the conference (ps. it’s free).

HOMEWORK: Infrastructures & Collaboration in Social Practices is four-day residency, two-day conference, and collaboratively-written publication aimed at generating conversation around the following:

  • alternative infrastructures,
  • radical collaboration,
  • social practice,
  • art implicated in social change,
  • neighbourhood-level activities,
  • city-wide imaginations,
  • site-specific curiosities,
  • tactical resistance,
  • new models for art education and research.

Facilitated by Broken City LabHOMEWORK calls on artists, scholars, writers, thinkers, and doers interested in any of the above to join us in Windsor, Ontario on October 21 and October 22, 2011.

Homework: Infrastructures & Collaboration in Social Practices is generously supported by the Ontario Arts Council, the University of Windsor’s School of Visual Arts, and our community partner the Art Gallery of Windsor.

City Counseling (Session #1)

Last night, in front of city hall, we had a conversation about the ways we want to shape our city.

In the midst of rising tensions around existing city services and new infrastructures, there seems to be a renewed wish for not just more public dialogue with the city, but a dialogue based on transparency and vision.

We haven’t been seeing that kind of dialogue, so we thought we might try to have our own.

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Reviewing 212 Pages of Homework Submissions

We’re in the middle of reviewing the submissions for Homework: Infrastructures & Collaboration in Social Practices!

Using the mail-merge function built into Word, we’re taking the csv file that our form builder wordpress plugin generated from all the Homework submissions and putting them into a readable document.

It’s 212 pages long.

We’re working through this as quickly as we can, but there’s so many incredible applications. Hopefully we’ll have word out about the selected participants in the next couple of weeks. Again, thank you to everyone who submitted!!

HOMEWORK: Infrastructures & Collaboration in Social Practices is generously supported by the Ontario Arts Council.

Re: Collaborating on a big publication, Dropbox ftw

We met yesterday, but too much going on for any photos.

I figure that our shared Dropbox folder says most of the important stuff anyways.

We’re working towards completing our HFBC publication, which includes things like:

  • posters of inventions on crossing an imagined border wall
  • maps and 3D renderings of a cross-border portal system
  • a Canada Border Services consultancy
  • a tunnel token micro-grant
  • proposed public art projects that bring a level of symmetry to Windsor and Detroit
  • sketches of 1000 pedestrian crossings
  • transcriptions from interviews with frequent border crossers
  • new geographies
  • small-scale messaging options across international borders
  • technological imaginings for helping people otherwise unable to experience crossing a border
  • scavenger hunts / geocaching projects
  • renderings of border impediments that don’t exist, but might as well exist
  • some writing to help frame all of this

Excited to continue. Looks like next Wednesday / Friday evening are open…

How to Forget the Border Completely is generously supported by the Ontario Arts Council.

 

Working at & on (forgetting) the Border, Next Week is Show & Tell

Meeting outside is the greatest. There’s talk of building some kind of mobile table / bistro to make this possible in other locations, but I suppose that’s further down on the to-do list.

For now, we’re immersed in bringing together research and inventions around our How to Forget the Border Completely project to pull into a publication.

Above, we brought lots of reference material on Friday night.

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We’re outside around a table, together. It’s May. How to Forget the Border Completely.

We’re back to Friday nights. Someone thought to move the tables outside. In the dimming light, we worked. Many things are on the task list.

We’re starting to work on a publication of sorts for How to Forget the Border Completely. It’s been a really clarifying decision to pull the strands of research we’ve been working on for the project together in a form that will allow the entire project to be read at once.

Continue reading “We’re outside around a table, together. It’s May. How to Forget the Border Completely.”

BCL Report: May 5, 2011 (Big Books & Small Letters)

We met twice on Thursday, and those meetings were after Michelle and I headed over to SB Contemporary Art to finally check out “On Your Mark” (a great exhibition featuring work by many of our friends) and talk about how we could partner in some way on Homework: Infrastructures & Collaboration in Social Practices.

Back at the Ecohouse to try to get the plan together to work on a video we’ve been tossing around for a while — final decisions have been elusive, so we put it on hold for now. Instead, we headed out to the front lawn and reminded ourselves of the what we can do with How to Forget the Border Completely.

Executing these projects is just a matter of carving out a day … we spend time planning, testing, experimenting, brainstorming because we know we’re more curious together and our collective curiosity is the driver for every one of these projects. It’s not about the solutions, it’s about the questions.

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A Summary of Things I’ve Been Thinking About

Today, a very brief summary of some things that I’ve been thinking about and noted over the last few weeks…

Above, a portal. Perhaps a cross-border portal. An under-used, long forgotten relic of a portal prototype. Cordoned off, waiting for a new route. Partington and Wyandotte on our side, where’s the related neighbourhood in Detroit? Maybe the portals we’ve been thinking about are more readily located than we’ve realized, or maybe this is all about something closer to what Rosina pointed out last week. I’m certain that it’s worth re-appropriating all kinds of infrastructures for our own imaginary impossibilities.

Down the street, a message from an anchor in the neighbourhood. Somehow this made me feel like things are going to be okay in this end of town — maybe that this hair salon sits steadily against the constant tide of rental units, impermanence — or maybe business is just really bad, but maybe, just maybe, this hand-written notice to passersby suggests that 19 years went by with some things really able to stay the same.

And across the river, a simple sign, retroreflective glory, the layout, the strangeness of nearly all type of informative signage, somehow these messages always make me ask more questions — that is, curiosity about the space between what this sign can tell me and the uncertainty of the missing information and details about just how to get back to where I started, a parking lot I can’t geographically place in my mind days after leaving my car and after hours of travel. Signs everywhere communicate with a strange grammar, commands and directions, and I’m continually interested in why I often have to reread signs so many times to try to ascertain exactly what they’re trying to get me to do.

Perhaps a summary was too generous. This is more just a collection, an attempt to annotate these photos before they’re long buried in a photo library and an attempt to try to think through some projects on the go and in the works.