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Theoretical Geography: Bill Bunge and the Quantitative Revolution

Canadian Minorities by Zachary Johnson 2005

Zachary Forest Johnson is (according to his bio page) a cartographer specializing in online maps and information visualizations. He is in the second year of a M.S. program in Cartography and GIS at the U of Wisconsin. In a previous life, he studied Political Science (gaining a BA from the U of Arkansas and a MA from the U of Wisconsin). His other passions include running, politics, typography, and gin and tonics.

Zachary is also the author of the blog indiemaps.com, an interesting blog on contemporary mapping methods using HTML and Java to produce interactive mapping systems and interfaces, various information on historical figures and news. Based on Zachary’s previous education, as outlined above, a certain geo-political undertone can be felt throughout the work; which is a conceptual framework that is at times hard to take at face value (nor should it be) since it is employing abstract data to map something like a countries extent of “freedom” (see Johnson’s “World Freedom Atlas“).

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A Tree Grows in Detroit

Ailanthus altissima, a name that may not be in any way familiar, though there is a very good chance that a person who lives in the urban centers of Windsor or Detroit sees this “ancient” tree on a daily basis. This tree is known as “Tree of Heaven” or to some “Tree from Hell.”

The tree of heaven is a native to northeast China and Taiwan, it thrives in temperate climates and is capable of reaching heights of 15 meters in 25 years, though it has a relatively short lifespan of 50 years. What might be the significance of this tree you may ask. Well, it’s on the forefront of the cultural mythos of Detroit’s current revitalization.

This is not the first time that the Tree of Heaven has been reclaimed as an icon for cultural growth in circumstances and environments of neglected or “broken” urban centers. In 1943, Betty Smith wrote A Tree Grows in Brooklyn, which features the Tree of Heaven as its main metaphor for “the ability to thrive in a difficult environment.”

There’s a tree that grows in Brooklyn. Some people call it the Tree of Heaven. No matter where its seed falls, it makes a tree which struggles to reach the sky. It grows in boarded up lots and out of neglected rubbish heaps. It grows up out of cellar gratings. It is the only tree that grows out of cement. It grows lushly…survives without sun, water, and seemingly earth. It would be considered beautiful except that there are too many of it.

–A Tree Grows in Brooklyn, Introduction

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Drifting Around Downtown Windsor: Exploring the City Slowly

We’ve been lucky over the last week or so with some surprisingly agreeable weather. The had humidity lifted and with it, the temperature scaled back considerably. So, it’s been pretty much the best time all summer to do some exploring on foot (and sometimes on bicycle) at a pace that really allows for a different kind of engagement with space.

Now armed with an iPhone 4 for an upcoming project, it’s easier than ever to take pictures on a casual exploration. Something like a dérive, though admittedly a little more aimed at looking for some new potential project spaces than a completely free drift, last night was a perfect time to play with thinking about a variety of spaces, slowly.

These slow explorations really give the time to notice and attempt to unfold the curiosities all around the city. A sign like the one above, “PUBLIC STAIRWELL,” notifies passersby that this space is publicly accessible and annotates something unseen, behind the door. I wonder what else we might be able to annotate with the same authority as this sign that could be suggested as being both public and understood as normally hidden (at least in terms of its use by a public).

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How to Briefly Describe Amazing Things: A Recap of 30 Days of SRSI

We’ve been really lucky.

For a couple of years now, we’ve been able to do the work that we’ve wanted to do, make the kinds of changes that we want to see, and create a set of projects that have kept us interested in staying in Windsor.

The Storefront Residencies for Social Innovation wrapped up a couple weeks ago. For 30 days, we hosted 25 amazing artists and artist collectives, all of whom worked in downtown Windsor and generated a huge number of new ideas, initiatives, and relationships.

For 30 days, we were very, very lucky.

From June 11th to July 11th, we saw projects that redefined the idea of what BIAs could do, generated new models for micro-economies by exchanging food for stories, unravelled and reassembled long lost sweaters, and introduced an unprecedented level of investigation into the personal histories found in homes (and gardens) across the city.

Projects that openly played with urban infrastructures, investigated the potential for utilizing the postal service for remembering forgotten places, and made many, many, many kinds of maps will all have a lasting impact on the people who were lucky enough to encounter them.

Workshops for children and adults made real and impacting use of open spaces, stories around our border realities were eagerly shared, and many delicious pies, meals and snacks were collaboratively prepared and enjoyed over insightful conversations using fresh and local ingredients.

Installations lit up and animated storefronts, interrupted the social experience of public spaces, and imagined the collapse of municipalities generated a new way to look at materials and architecture.

Performative works demonstrated DIY surveillance methodologies, actively spent time in marginalized spaces, infused the local economy with gambling earnings from the casino, and generated a factory from social media technologies.

All of these things happened here in Windsor in just 30 days.

SRSI created a concentrated series of activities that demonstrated the potential in rethinking how we attribute value to space, changed how we might think about creative activity impacting a community, and looked at the possibility to forget about a set of economic development strategies that haven’t worked for quite some time.

The things that we’ve felt about Windsor — its potential, its frustrations, and the novel possibility for generating creative work that can only happen here — were all reinforced through this residency project. We have to admit that we’ll probably do it again, in some fashion, because we believe that the projects we saw unfold are only the beginning of the incredible things that can happen in this city.

We want to thank everyone who participated in this project — without you, this would not have been possible. Your work made an impact on us, and we might argue, the entire city. Thank you.

This project was generously supported by the City of Windsor: Cultural Affairs Office, Arts Council Windsor & Region, Windsor Pride, and the Ontario Arts Council.