Our project for the 2011 Windsor Biennial, Alive & Well, was created with the hope that it would be captured on Google Maps to make a monument or announcement of sorts to the rest of the world about Windsor as we near the end of the year and ahead of being torn up for the new Aquatic Centre. We did the project with full expectations that the timing might not be right to ever have it appear on Google Maps, but this morning on a random search, I found out that there was a little update — Alive & Well is now on Google Maps, when you zoom into Windsor’s downtown core.
We created the work with this in mind:
The city appears to have survived the lowest lows of the economic crisis and our social, cultural, and political realities seem to hold some sense of hope and possibility. Even while the auto industry continues to hold precarious sway over the future of the city, the opportunity to own our history and commemorate it should, appropriately enough, be explored in a vast parking lot. In celebration of our community’s continued survival, we propose to demarcate the launch of a cultural future for the city, as demonstrated by the starting date of the 2011 Windsor Biennial along with IAIN BAXTER&’s curatorial role, and the very fact that the city has, despite any hardships, not yet imploded, with the following text, “AS OF 2011.09.21, WE ARE ALIVE & WELL.”
Huge thanks to the Art Gallery of Windsor, MacDonald & White Paint, and Google for making this possible.
It was a beautiful day in Windsor yesterday. Something like 30 degrees fahrenheit cooler than it was just a couple days ago when we were installing at Forest City Gallery.
We started and finished our project for this year’s Windsor Biennial. We’ll have a lot more photos soon. The show opens on September 21, 2011, and it reads, “AS OF 2011.09.21, WE ARE ALIVE & WELL.”
Soon enough we’ll be getting into the thick of winter and Sergio Lopez-Pineiro–an assistant professor of architecture at the University at Buffalo–is not going to let the snowfall go to waste this year. He is planning a large scale project in Buffalo’s Front Park which involves plowing snow into 15 giant mounds, forming a pattern of oversized polka dots.
At 42 feet wide and 7 feet tall, these mounds will dramatically alter the landscape of the park and its nearby waterfront. The title “Olmsted’s Blank Snow” refers to the famed landscape architect Frederick Law Olmsted, who designed Front Park with his partner Calvert Vaux. I have included more mock-up photographs below.