Windsor-Detroit Border Crossing Micro Grant

Broken City Lab is launching a new micro-grant program and we need you to apply.

As a part of our upcoming publication, How to Forget the Border Completely, The Windsor-Detroit Border Crossing Micro Grant gives you the opportunity to cross the Windsor-Detroit border.  We’re looking for a variety of experiences gained from crossing the border, so you can cross for whatever reason you’d like.

We want people to participate in activities that they would do if there wasn’t a border, and we want all types of people to apply. We want people to get involved who don’t cross often, who do cross often, or who have never crossed before.

The grant is offered on a first come, first serve basis, and comes in the form of a roundtrip tunnel bus ticket.

So, if you can get to the Detroit-Windsor border, and you’re interested in participating, fill out the Cross-Border Micro Grant Application below!

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City Counseling (Session #1)

Last night, in front of city hall, we had a conversation about the ways we want to shape our city.

In the midst of rising tensions around existing city services and new infrastructures, there seems to be a renewed wish for not just more public dialogue with the city, but a dialogue based on transparency and vision.

We haven’t been seeing that kind of dialogue, so we thought we might try to have our own.

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Reviewing 212 Pages of Homework Submissions

We’re in the middle of reviewing the submissions for Homework: Infrastructures & Collaboration in Social Practices!

Using the mail-merge function built into Word, we’re taking the csv file that our form builder wordpress plugin generated from all the Homework submissions and putting them into a readable document.

It’s 212 pages long.

We’re working through this as quickly as we can, but there’s so many incredible applications. Hopefully we’ll have word out about the selected participants in the next couple of weeks. Again, thank you to everyone who submitted!!

HOMEWORK: Infrastructures & Collaboration in Social Practices is generously supported by the Ontario Arts Council.

Re: Collaborating on a big publication, Dropbox ftw

We met yesterday, but too much going on for any photos.

I figure that our shared Dropbox folder says most of the important stuff anyways.

We’re working towards completing our HFBC publication, which includes things like:

  • posters of inventions on crossing an imagined border wall
  • maps and 3D renderings of a cross-border portal system
  • a Canada Border Services consultancy
  • a tunnel token micro-grant
  • proposed public art projects that bring a level of symmetry to Windsor and Detroit
  • sketches of 1000 pedestrian crossings
  • transcriptions from interviews with frequent border crossers
  • new geographies
  • small-scale messaging options across international borders
  • technological imaginings for helping people otherwise unable to experience crossing a border
  • scavenger hunts / geocaching projects
  • renderings of border impediments that don’t exist, but might as well exist
  • some writing to help frame all of this

Excited to continue. Looks like next Wednesday / Friday evening are open…

How to Forget the Border Completely is generously supported by the Ontario Arts Council.

 

Working at & on (forgetting) the Border, Next Week is Show & Tell

Meeting outside is the greatest. There’s talk of building some kind of mobile table / bistro to make this possible in other locations, but I suppose that’s further down on the to-do list.

For now, we’re immersed in bringing together research and inventions around our How to Forget the Border Completely project to pull into a publication.

Above, we brought lots of reference material on Friday night.

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We’re outside around a table, together. It’s May. How to Forget the Border Completely.

We’re back to Friday nights. Someone thought to move the tables outside. In the dimming light, we worked. Many things are on the task list.

We’re starting to work on a publication of sorts for How to Forget the Border Completely. It’s been a really clarifying decision to pull the strands of research we’ve been working on for the project together in a form that will allow the entire project to be read at once.

Continue reading “We’re outside around a table, together. It’s May. How to Forget the Border Completely.”

BCL Report: May 5, 2011 (Big Books & Small Letters)

We met twice on Thursday, and those meetings were after Michelle and I headed over to SB Contemporary Art to finally check out “On Your Mark” (a great exhibition featuring work by many of our friends) and talk about how we could partner in some way on Homework: Infrastructures & Collaboration in Social Practices.

Back at the Ecohouse to try to get the plan together to work on a video we’ve been tossing around for a while — final decisions have been elusive, so we put it on hold for now. Instead, we headed out to the front lawn and reminded ourselves of the what we can do with How to Forget the Border Completely.

Executing these projects is just a matter of carving out a day … we spend time planning, testing, experimenting, brainstorming because we know we’re more curious together and our collective curiosity is the driver for every one of these projects. It’s not about the solutions, it’s about the questions.

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A Summary of Things I’ve Been Thinking About

Today, a very brief summary of some things that I’ve been thinking about and noted over the last few weeks…

Above, a portal. Perhaps a cross-border portal. An under-used, long forgotten relic of a portal prototype. Cordoned off, waiting for a new route. Partington and Wyandotte on our side, where’s the related neighbourhood in Detroit? Maybe the portals we’ve been thinking about are more readily located than we’ve realized, or maybe this is all about something closer to what Rosina pointed out last week. I’m certain that it’s worth re-appropriating all kinds of infrastructures for our own imaginary impossibilities.

Down the street, a message from an anchor in the neighbourhood. Somehow this made me feel like things are going to be okay in this end of town — maybe that this hair salon sits steadily against the constant tide of rental units, impermanence — or maybe business is just really bad, but maybe, just maybe, this hand-written notice to passersby suggests that 19 years went by with some things really able to stay the same.

And across the river, a simple sign, retroreflective glory, the layout, the strangeness of nearly all type of informative signage, somehow these messages always make me ask more questions — that is, curiosity about the space between what this sign can tell me and the uncertainty of the missing information and details about just how to get back to where I started, a parking lot I can’t geographically place in my mind days after leaving my car and after hours of travel. Signs everywhere communicate with a strange grammar, commands and directions, and I’m continually interested in why I often have to reread signs so many times to try to ascertain exactly what they’re trying to get me to do.

Perhaps a summary was too generous. This is more just a collection, an attempt to annotate these photos before they’re long buried in a photo library and an attempt to try to think through some projects on the go and in the works.

 

The Creation of Place in Abandoned Railway Cuts in Windsor: 1/4 Intro

Lee Rodney teaches one of the best courses at the University of Windsor, Border Culture. I took the course in the fall of 2010 and wrote a book: The Creation of Place in Abandoned Railway Cuts in Windsor.

The book serves as documentation and comparative analysis of three specific forgotten spaces in downtown Windsor, Ontario, Canada. Each of these are former sites of railway lines that ran across the Detroit River into Michigan at the height of industrialization in the first quarter of the twentieth century, but are now closed up dead ends and dead zones, unlit at night and undetectable from street view due to their below street level geography.

These spaces have a transient quality, as people exist in them only while passing through, usually as quickly as they can in order to reach a safer location. The contents of this book are based on my own personal experience in and around these spaces as a young adult white female artist, including historical research on the areas as well as references from multiple disciplines including activism, art, urban planning, geography, design, visual culture, gender and feminist studies. The invisible borders embedded within the fabric of these hidden, forgotten underused and misused spaces is examined.

Over the course of the next month, I will be posting chapters of the book with images on a weekly basis. However, I would like to introduce the book by providing some info and context around what I was reading prior to and during the research phase of this project.

So, without further adieu, a few books that informed my book:

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