HOMEWORK II: LONG FORMS / SHORT UTOPIAS (Nov 8-10, 2013) + Livestream Archive

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We’re very pleased to announce Homework II: Long Forms / Short Utopias, a three-day conference and collaboratively-written publication that will aim to unfold the ways in which we construct, articulate, and practice ideas of micro-utopias, pop-up ideals, collaboration, and long-term social engagement in Ontario, across Canada, and abroad.

The conference will build on our previous conference, Homework: Infrastructures & Collaboration in Social Practices, in bringing together multidisciplinary artists and creative practitioners enacting and articulating the complexities of working in practices driven by curiosities about utopian collaboration, community, infrastructures, locality, and long-form social practice. With support from the Ontario Arts Council and Ontario Trillium Foundation, we’re looking to build an event that can frame a discussion on socially-engaged practices that span disciplines, with a particular focus on emerging practitioners.

Homework II will run November 8-10, 2013 in Windsor, Ontario at Art Gallery of Windsor and CIVIC Space.

Our featured keynote speakers this year will be Jeanne van Heeswijk (Rotterdam), Darren O’Donnell (Toronto), and Steve Lambert (New York). In addition to our keynotes, we’ve also invited a series of curatorial partners to develop panels that tackle the conference themes. And, to top it all off, everyone who attends will be co-authors of a book that captures the ideas and conversations from this year’s conference through a series of interviews with presenters, attendees, and organizers alongside collected materials from our 2011 conference.

For more information, please email homework@brokencitylab.org



Homework II – Tentative Conference Schedule

1. FRIDAY, NOVEMBER 8TH

Keynote Panel Discussion | Art Gallery of Windsor | 7:00pm-9:45pm

Featuring presentations from:

Jeanne van Heeswijk (Rotterdam)

Since 1993, Jeanne van Heeswijk has been working on socially committed art projects that take place in public spaces. She sees herself as a mediator, an intermediary between a situation, a space, a neighborhood and the people connected to these. Acting, meeting, and communicating are key concepts in her method of working. She has coined the term “urban curating” for her interventions. In the sedate Dutch art world in which all taboos appear to have been broken, her work – uniquely – arouses fierce controversy.

Darren O’Donnell (Toronto)

Darren O’Donnell is a novelist, essayist, playwright, director, designer, performer, Artistic Director of Mammalian Diving Reflex and Research Director of The Tendency Group, an emerging think tank and social policy laboratory. His books include: Social Acupuncture, which argues for an aesthetics of civic engagement and Your Secrets Sleep with Me, a novel about difference, love and the miraculous. In addition to his artistic practice, he is currently an Msci candidate in Urban Planning at the University of Toronto.

Steve Lambert (New York)

Steve Lambert is an artist who works with issues of advertising and the use of public space. He is a founder of the Anti-Advertising Agency, an artist-run initiative which critiques advertising through artistic interventions, and of the Budget Gallery (with Cynthia Burgess) which creates exhibitions by painting over outdoor advertisements and hanging submitted art in its place. He has also worked with the Graffiti Research Lab and as a senior fellow with Eyebeam Open Lab.


 2. SATURDAY, NOVEMBER 9TH

A. Registration and Opening Remarks | Art Gallery of Windsor | 8:30am-9:15am

Remarks by:

Justin Langlois, Hiba Abdallah, and Josh Babcock (Project Coordinators, Broken City Lab)

Srimoyee Mitra (Curator of Contemporary Art, Art Gallery of Windsor)


 

B. Thematic Panel Discussions | Art Gallery of Windsor | 9:00am-6:30pm

Thomas Provost | 9:30am-10:40am

Ad Hoc, a panel organized by Thomas Provost, will feature panelists Kaija WuolletElaine Carr, and Marcin Kedzior.

An archaeology of the human world reveals there are infinite systemic exchanges constructing our environment: weathering, investments, labour, political forums, contracts, negotiations, among other occurrences and phenomena. Essential to this discussion on spatial-collaboration are the various exchanges a creative practice must navigate in order to create micro-utopias, pop-up-ideals, or projections of time & place. Within architecture and landscape, experimental operations have emerged despite an uncertain economic trajectory and forbearing ecological instability, under which our panelists curiously work, at least in part, ad hoc.


Reena Katz | 10:50am-12:00pm

Organized by Reena Katz/Radiodress, artist and Acting Director, Galerie SAW Gallery, Ottawa-Gatineau, Engaged to be Wary: De-authorizing Social Practice will feature panelists, Srimoyee Mitra, curator, Art Gallery of Windsor and Alana Bartol, artist and Project Manager for Neighbourhood Spaces, Windsor.

At a time when community engaged art practices are becoming ubiquitous throughout gallery, museum and institutional education systems, there is a strong need for conversations around what works and what doesn’t in this growing and chaotic field. The goal of this panel will be to discuss diverse perspectives on Social Practice, ask critical questions, and formulate some useful guidelines for its successful pedagogy and praxis. We will use the opportunity of the publication to publish the beginnings of a malleable, living manifesta on the subject, based on the presentations, discussion and ideas generated at the panel.


Maggie Flynn | 1:00pm-2:10pm

A discussion between Tities Wîcinímintôwak Arts Collective and Chris Rabideau will address themes such as intergenerational organizing, learning in the context of Two-Spirit, trans, and queer communities, and personal approaches to long-term, community-based work. This panel is organized by Maggie Flynn.


IN/TERMINUS | 2:20pm-3:30pm

The Shape of a Question: Art, Politics, Pedagogy, a panel organized by Michael Darroch and Jennifer Willet for IN/TERMINUS, will discuss historical and contemporary models and contexts at the intersection of art, politics and pedagogy.


Michael Davidge | 3:40pm-4:50pm

For a panel presentation on Saturday November 9, Michael Davidge has brought together a group of creative practitioners whose work addresses the themes of the Homework II conference through their engagement with electronic dance music. Davidge is an independent curator, artist and art critic who lives in Ottawa, Ontario. The panelists include Bambitchell (Sharlene Bamboat and Alexis Mitchell) (Toronto) who will present on their project, Border Sounds; Michael Caffrey and Kerry Campbell (Gatineau) who will discuss their “GhettoBlast Sound System;” and Chris McNamara (Windsor) will discuss his experience with the Windsor/Detroit techno music scene and describe his involvement with the audio collective “Nospectacle.” The panelists’ projects employ electronic dance music in various ways that construct, articulate, and practice ideas of micro-utopias, pop-up ideals, and long-term social engagement.


Department of Unusual Certainties | 5:00pm-6:10pm

“Support Someone Else’s Revolution” – The world is small, interconnected and formed from extensive systems that intersect with our lives. Knowingly and unknowingly our actions reinforce and resist the transformation of these systems, which do shift under the weight and energy of people and things. The Information Age is more a statement of societal arrogance than a reflection of a broader cultural understanding of the world. Gaps in knowledge exist and will not be rectified through the consumption of media nor exchanges within our personal networks.

Department of Unusual Certainties has invited four individuals to speak to the ways that we support other people and things in transition (eg. corporations, neighbours and democracy etc.). Each of these four individual’s were selected because their practices empower citizens within stable States to reflect and then to act. The panel will feature: Michèle Champagne (Founder/Creative Director, That New Design Smell), Jordan Tanahill (Artistic Director, Suburban Beast), Satsuko Van Antwerp (Manager, Social Innovation Generation), and Justin Langlois (Director, Broken City Lab) moderated by Department of Unusual Certainties. 


3. SUNDAY, NOVEMBER 10TH

Workshops and General Assembly | Art Gallery of Windsor & CIVIC SPACE | 11:00am-5:00pm

A day of conversation, interviews, and workshops to inform the forthcoming publication.

Open Community Breakfast at Civic Space | 10:00am-11:00am

Join us and fellow conference panelists, attendees, and anyone else walking around the neighbourhood for some light breakfast. We’ll open our doors to serve cereal, fruit, coffee, and tea, along with some great conversations to kick off the final day of the conference.

Workshops for Publication, Part 1 at the AGW | 11:00am-2:00pm

We’ll be back at the AGW for a series of workshops, discussion groups, and interviews that will help shape the forthcoming publication. We’re asking you to consider participating in the creation of this publication by conducting at least one interview with someone else attending the conference. Meanwhile, back at CIVIC Space, Hiba will be working to compile the content she receives from the participants — interviews, photographs, sketchbook notes, manifestos, endless questions, and more.

General Assembly at the AGW | 2:00pm-3:30pm

An open community discussion on issues surrounding socially-engaged practices, the infrastructures required to support them, precarious labour, educational possibilities, the professionalization of artists, and the conference itself.

Workshops for Publication, Part 2 at the AGW | 3:30pm-4:30pm

The work continues at the AGW and at CIVIC Space towards compiling the contents for the publication, with follow up discussions driven by the General Assembly.

Closing Remarks at the AGW | 4:30pm-4:45pm


Homework II: Long Forms / Short Utopias runs November 8 – 10, 2013 at Art Gallery of Windsor, located at 401 Riverside Drive West, Windsor, Ontario and CIVIC Space, located at 411 Pelissier Street, Windsor, Ontario.


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HomeworkIISponsors

Learn More About… Steve Lambert! Homework II: Long Forms / Short Utopias Keynote Panelist

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Capitalism Works For Me! True/False (2011), Image courtesy of visitsteve.com

Homework II: Long Forms / Short Utopias is less than a week away and we’re incredibly excited to be welcoming so many new and old friends to Windsor. The conference is aiming to foster a conversation around the ideas, infrastructures, and risks embedded in socially-engaged practices that unfold over years or moments at a time. For more information and to register to attend, please click here.

Now, you could read Lambert’s bio on his website to learn more about where he comes from and what he does, but we thought that reposting his artist statement might help to illustrate why we’re so excited to have him to be a part of the conference. For us, it seems to capture some of the overarching concerns we’re looking to discuss at the conference. In his words, here’s how Steve Lambert approaches art:

For me, art is a bridge that connects uncommon, idealistic, or even radical ideas with everyday life. I carefully craft various conditions where I can discuss these ideas with people and have a mutually meaningful exchange. Often this means working collaboratively with the audience, bringing them into the process or even having them physically complete the work.

I want my art to be relevant to those outside the gallery – say, at the nearest bus stop – to reach them in ways that are engaging and fun. I intend what I do to be funny, but at the core of each piece there is also a solemn critique. It’s important to be able to laugh while actively questioning the various power structures at work in our daily lives.

I have the unabashedly optimistic belief that art changes the way people look at the world. That belief fuels a pragmatic approach to bring about those changes.

Lambert’s sense of art as a bridge to everyday life, civic practices, and public spaces has always resonated with us. From his public performances, to collaborative interventions, to his large-scale signage works, Lambert’s practice implicates art into a larger set of politics and concerns that reminds us of the ways in which art can help generate new conversations and reframe old ones.

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THE NEW YORK TIMES SPECIAL EDITION (2008), image courtesy of visitsteve.com

We’ve been writing and thinking about Steve’s work for years, and we can’t wait to hear him speak in person. He’ll be a part of our Keynote Panel on Friday, November 8th at 7pm at the Art Gallery of Windsor with  Jeanne van Heeswijk and Darren O’Donnell and joining us for discussions and reflections over the rest of the conference.

P.S. We have just a few seats left for the conference! Want to join in on the fun? Email us at homework@brokencitylab.org to register!


Homework II will run November 8-10, 2013 in Windsor, Ontario at Art Gallery of Windsor and CIVIC Space.

Our featured keynote speakers this year will be Jeanne van Heeswijk (Rotterdam), Darren O’Donnell (Toronto), and Steve Lambert (New York). In addition to our keynotes, we’ve also invited a series of curatorial partners to develop panels that tackle the conference themes. And, to top it all off, everyone who attends will be co-authors of a book that captures the ideas and conversations from this year’s conference through a series of interviews with presenters, attendees, and organizers alongside collected materials from our 2011 conference.

For more information, please email homework@brokencitylab.org

Homework II: Long Forms / Short Utopias is made possible with generous support from the Ontario Arts CouncilOntario Trillium FoundationArt Gallery of Windsor, and IN/TERMINUS.

HomeworkIISponsors

Steve Lambert on Utopia

Steve Lambert "I WILL TALK WITH ANYONE…", courtesy of visitsteve.com

This is part of an ongoing set of one-question emails sent to people we know, or would like to get to know, about things that interest us and inform our collective practice. They’ll be featured on the site weekly, usually on Fridays. These questions are more about unfolding ideas than about the people we’re asking, but we do ask those kinds of questions too.

We’re pleased to continue this project with a question for one of our most favourite artists, Steve Lambert.


How might you write an if-then-else statement to describe the notion of utopia in your practice?

IF the world is not what we desire

THEN deal with reality as it has been constructed for us

ELSE make it ourselves


Steve Lambert’s father, a former Franciscan monk, and mother, an ex-Dominican nun, imbued the values of dedication, study, poverty, and service to others – qualities which prepared him for life as an artist.

Lambert made international news after the 2008 US election with The New York Times “Special Edition,” a replica of the “paper of record” announcing the end of the wars in Iraq and Afghanistan and other good news. He has collaborated with groups from the Yes Men to theGraffiti Research Lab and Greenpeace. He is also the founder of the Center for Artistic Activism, the Anti-Advertising Agency, Add-Art (a Firefox add-on that replaces online advertising with art) and SelfControl (which blocks grownups from distracting websites so they can get work done).

Steve’s projects and art works have won awards from Prix Ars Electronica, Rhizome/The New Museum, the Creative Work Fund, Adbusters Media Foundation, the California Arts Council, and others. His work has been shown at galleries, art spaces, and museums nationally and internationally, appeared in over fourteen books, four documentary films, and in the collections of The Sheldon Museum, the Progressive Insurance Company, and The United States Library of Congress. Lambert has discussed his work live on NPR, the BBC, and CNN, and been reported on internationally in outlets including Associated Press, the New York Times, the Guardian, Harper’s Magazine, The Believer, Good, Dwell, ARTnews, Punk Planet, and Newsweek.

He was a Senior Fellow at New York’s Eyebeam Center for Art and Technology from 2006-2010, developed and leads workshops for Creative Capital Foundation, and is faculty at the School of the Museum of Fine Arts, Boston. Steve is a perpetual autodidact with (if it matters) advanced degrees from an reputable art school and respected state university. He dropped out of high school in 1993.

Steve Lambert: It’s Time to Fight

Two things I can’t get enough of — Steve Lambert and huge text signs.

Lambert’s latest work, It’s Time to Fight was installed recently in Pittsburgh, PA over a waffle shop.

Text-based work continues to inspire me; it’s accesible, layered, timely, and tactical. It can be hidden in plain sight. If you catch it, it can disrupt your experience of a landscape, and if you don’t, it patiently and quietly stands in waiting, alongside its capitalistic brethren. Text can steal our attention and interrupt our experience of space, particularly urban space, and that’s why we like working with it, I suppose.

To take a page from Josh’s book: thank you for existing, Steve Lambert.

Steve Lambert: The Making of 98.5%

This one goes out to Josh, our resident wood worker.

Steve Lambert on video making his latest work, 98.5%. From his vimeo page, “While this video only takes three and a half minutes, the actual sign took several days to make. Victoria Estok and Kyle Hittmeier helped along the way – Kyle can be seen painting, Victoria is more elusive. The soundtrack is from some old friends.”

This reminds me that we need to make more stuff.

[via MAKE]